Presents an overview of the collaborative practice of film production, which is broken down into key components to clarify the process that results in the end product we are so familiar with. This title offers insight into the working methods of film-makers. It is suitable for students of media, film studies and the visual arts.
Presents an overview of the collaborative practice of film production, which is broken down into key components to clarify the process that results in the end product we are so familiar with. This title offers insight into the working methods of film-makers. It is suitable for students of media, film studies and the visual arts.
Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate).
Inhaltsangabe
How to get the most out of this book. Introduction. The team: Overview of the crew Departments and job descriptions Collaborating and working as a team. Scriptwriting: Treatments Screenplay - format and layout Narrative structures Protagonists and antagonists Adaptation Genre Loglines. Producing: Production planning for documentary and drama Documentary proposals Budgeting Schedules Locations Equipment Distribution and exhibition. Directing: Shot sizes - meaning and motivation Camera movements - methods and meaning Master shots, cutaways, inserts and reactions Parallel action Shooting scripts Storyboards Working with actors. Production design: Visualising and breaking down the script Concepts - the look Space Light and colour Period Process Special effects Costume. Cinematography: Format Picture composition and framing Lighting Colour Lenses. Sound: Audio field production Microphones Post-production sound Music Sound effects. Post-production: Editing Continuity Manipulating time Montage Continuous shot. Making meaning: Documentary Representation Realism Genre Ideology Auteur theory. Appendix: Essential viewing Essential resources Mini interviews. Index. Acknowledgements and credits.
How to get the most out of this book. Introduction. The team: Overview of the crew Departments and job descriptions Collaborating and working as a team. Scriptwriting: Treatments Screenplay - format and layout Narrative structures Protagonists and antagonists Adaptation Genre Loglines. Producing: Production planning for documentary and drama Documentary proposals Budgeting Schedules Locations Equipment Distribution and exhibition. Directing: Shot sizes - meaning and motivation Camera movements - methods and meaning Master shots, cutaways, inserts and reactions Parallel action Shooting scripts Storyboards Working with actors. Production design: Visualising and breaking down the script Concepts - the look Space Light and colour Period Process Special effects Costume. Cinematography: Format Picture composition and framing Lighting Colour Lenses. Sound: Audio field production Microphones Post-production sound Music Sound effects. Post-production: Editing Continuity Manipulating time Montage Continuous shot. Making meaning: Documentary Representation Realism Genre Ideology Auteur theory. Appendix: Essential viewing Essential resources Mini interviews. Index. Acknowledgements and credits.
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