One of the great excitement of this book is the way that the perspective it obtains enables an entirely fresh look at the whole question of film, and politics. What Jameson suggests is that we must now analyze film comparatively-that we can only understand a films politics when we place it both in its local political context and its global context as film-for any film will inevitably reflect on what one might call its place in the global distribution of cultural power.
One of the great excitement of this book is the way that the perspective it obtains enables an entirely fresh look at the whole question of film, and politics. What Jameson suggests is that we must now analyze film comparatively-that we can only understand a films politics when we place it both in its local political context and its global context as film-for any film will inevitably reflect on what one might call its place in the global distribution of cultural power.
FREDRIC JAMESON is Distinguished Professor of Comparative Literature at Duke University, where he directs the Graduate Program in Literature. His numerous published works include Signatures of the Visible, The Concept of Postmodernism, and Late Marxism: Adorno on the Persistence of the Dialectic.
Inhaltsangabe
Preface by Colin MacCabe Introduction: Beyond Landscape Part One: Totality as a Conspiracy Part Two: Circumnavigations Chapter 1 On Soviet Magic Realism Chapter 2 Remapping Taipei Chapter 3 High-Tech Collectives in Late Godard Chapter 4 'Art Naif' and the Admixture of Worlds Index
Preface by Colin MacCabe Introduction: Beyond Landscape Part One: Totality as a Conspiracy Part Two: Circumnavigations Chapter 1 On Soviet Magic Realism Chapter 2 Remapping Taipei Chapter 3 High-Tech Collectives in Late Godard Chapter 4 'Art Naif' and the Admixture of Worlds Index
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