This open access handbook explores the increasingly cross-disciplinary nature of cultural work and assesses how it engages with other fields, such as: education, research, and health; as well as the defining issues of our time such as the climate emergency, the quest for sustainable development, discrimination of all kinds, and the need for achieving greater inclusivity. Across six sections, the book includes over 30 contributions from a range of authors - from cultural practitioners in the public, private, and non-profit sectors, based on direct experience in the field, as well as theoretical…mehr
This open access handbook explores the increasingly cross-disciplinary nature of cultural work and assesses how it engages with other fields, such as: education, research, and health; as well as the defining issues of our time such as the climate emergency, the quest for sustainable development, discrimination of all kinds, and the need for achieving greater inclusivity. Across six sections, the book includes over 30 contributions from a range of authors - from cultural practitioners in the public, private, and non-profit sectors, based on direct experience in the field, as well as theoretical analyses of these areas by academics, curators, and independent researchers. The book is essential reading for students of arts and cultural management, management in other creative industries, and curation. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by The Onassis Foundation, Greece.
Christos Carras is an independent researcher and cultural consultant. He was the Executive Director of the Onassis Cultural Centre in Athens, Greece from 2009 to 2022. His research interests include the aesthetics of contemporary sonic art, the role of music within broader networks and fields, the politics of cultural production and consumption, and the connections between culture and sustainable development. He is an active cultural professional, having been involved in many European projects and having held senior managerial roles in cultural institutions.
Inhaltsangabe
Table of Contents List of Illustrations Notes on Contributors Acknowledgements Foreword: Cultural Work in a Complex World Introduction to the Handbook of Cultural Work Christos Carras (Onassis Cultural Centre Greece) Part One: Spaces of cultural action 1.1. Cultural and creative districts in a changing Europe Adrian Ellis (Global Cultural District Network UK / Turkey) 1.2. Transformative arts. Community theatre as democratic infrastructure Jasmina Ibrahimovic (Rotterdam Wijktheater Bosnia and Herzegovina / Netherlands) & Catherine Koekoek (Erasmus Universiteit Rotterdam The Netherlands) 1.3. The power of neglected spaces Mieke Renders (BE Manager for urban and rural regeneration Belgium) 1.4. Spaces of cultural action: focusing on working in and with communities in public spaces in urban districts or rural areas or across borders Piotr Michalowski (European Network of Cultural Centres Poland) 1.5. Places for life Gundega Laivina (Pratt Institute NY Latvia) 1.6. The street the field the workshop and the stage: staging grounds for transdisciplinary urban enquiry Dr. John Bingham-Hall (Theatrum Mundi UK) 1.7. Artists Without Borders - Building a case for cultural policies that transcend nations Milica Ilic (Office National de Diffusion Artistique Serbia) Part Two: Cross-sectoral cultural action 2.1. New Cultural Policies for Enabling Cross-Sectoral Positive Transformation Sylvia Amann (IDEA Consult / Creative FLIP Denmark) 2.2. Culture and well-being - a promising area of cross-sectoral action Rarita Zbranca (Cluj Cultural Centre Romania) 2.3. Navigating the digital future Kristina Maurer (S+T+ARTS EU) & Veronika Liebl (Ars Electronica Centre Austria) 2.4. The Lion and the Mouse - The move from informal to formal education in Brussels Christophe De Jaeger (Gluon - Platform for Art Science and Technology Belgium) 2.5. Artistic Thinking and Societal Change Dr. Jaana Erkkilä-Hill (University of the Arts Finland) Part Three: Politics Power & Access 3.1. The meaning of participation François Matarasso (A Restless Art / Independent researcher / blogger France) 3.2. How can culture and the arts recover and reaffirm values of solidarity? Strategy and action from a network of municipalities Marta Martins (Artemrede Portugal) 3.3. Et maintenant on va où? Diversity in arts and culture: between formal correctness and genuine needs Yamam Al-Zubaidi (National Touring Theatre of Sweden Iraq / Sweden) 3.4. Road of Oblivion and Love: Orchestrated Ebbs and Flows in Romany Cultural Development Vasil Chaprazov (Roma public intellectual Bulgaria) 3.5. Art Aesthetics and Access: disability and contemporary cultural practice Ben Evans (British Council UK) 3.6. A call to bear witness Christina Varvia (GR Forensic Architecture) Part Four: The cultural economy funding and policies in Europe 4.1. The busy intersection of cultural and social policy Tere Badia (Culture Action Europe Belgium / Estonia) & Gabriele Rosana 4.2. For Culture to address global challenges - the 2022 Recommendation of the Council of Europe Philippe Kern (KEA France) 4.3. Imagine! Philanthropy for Europe André Wilkens (NEMO Amsterdam) Isabelle Schwarz& Tsveta Andreeva (European Cultural Foundation Amsterdam) 4.4. The potential of crowdfunding in culture Isabelle De Voldere (IDEA Consult Belgium) & Martina Fraioli (European Network of Cultural Centres Belgium) 4.5. Cultural entrepreneurship and funding policies in Europe Annick Schramme (University of Antwerp Belgium) Part Five: Culture the climate emergency and the Sustainable Development Goals 5.1. Senses of Purpose Lucia Pietroiusti (Serpentine Galleries UK / Italy) 5.2. Culture and the Sustainable Development Goals Christos Carras (Onassis Cultural Centre Greece) 5.3. Environmental Policy Frameworks and Cultural Work Iphigenia Taxopoulou (Julie's Bicycle UK / Greece) 5.4. Theatre into the Doughnut Caroline Barneaud Darious Ghavami & Tristan Pannatier (Théâtre Vidy-Lausanne Switzerland) 5.5. What Would It Mean to Restitute to Earth All We Have Taken from the Earth? Decolonial Aesthesis and Transition in Art Design and Fashion a Discussion between Hicham Khalidi and Rolando Vázquez (Van Eyck Academy Netherlands / Mexico) 5.6. Ecological sensing of "aquaforming" in the age of Aquatocene Robertina Sebjanic (HR/SI Artist Croatia / Slovenia) Part Six: The digital transformation of cultural practice 6.1. The Digital Transformation of Cultural Practice Oonagh Murphy (Goldsmiths University of London UK / Ireland) 6.2. The interdependence of networked archives Alessandro Ludovico (Neural / Winchester School of Art University of Southampton UK / Italy) 6.3. How to communicate collaborate and distribute - Canal180's decade-long learnings case studies and contributions from our network João Vasconcelos (Canal 180 Portugal) 6.4. Platform fever Prodromos Tsiavos (Onassis Cultural Centre Greece) Index
Table of Contents List of Illustrations Notes on Contributors Acknowledgements Foreword: Cultural Work in a Complex World Introduction to the Handbook of Cultural Work Christos Carras (Onassis Cultural Centre Greece) Part One: Spaces of cultural action 1.1. Cultural and creative districts in a changing Europe Adrian Ellis (Global Cultural District Network UK / Turkey) 1.2. Transformative arts. Community theatre as democratic infrastructure Jasmina Ibrahimovic (Rotterdam Wijktheater Bosnia and Herzegovina / Netherlands) & Catherine Koekoek (Erasmus Universiteit Rotterdam The Netherlands) 1.3. The power of neglected spaces Mieke Renders (BE Manager for urban and rural regeneration Belgium) 1.4. Spaces of cultural action: focusing on working in and with communities in public spaces in urban districts or rural areas or across borders Piotr Michalowski (European Network of Cultural Centres Poland) 1.5. Places for life Gundega Laivina (Pratt Institute NY Latvia) 1.6. The street the field the workshop and the stage: staging grounds for transdisciplinary urban enquiry Dr. John Bingham-Hall (Theatrum Mundi UK) 1.7. Artists Without Borders - Building a case for cultural policies that transcend nations Milica Ilic (Office National de Diffusion Artistique Serbia) Part Two: Cross-sectoral cultural action 2.1. New Cultural Policies for Enabling Cross-Sectoral Positive Transformation Sylvia Amann (IDEA Consult / Creative FLIP Denmark) 2.2. Culture and well-being - a promising area of cross-sectoral action Rarita Zbranca (Cluj Cultural Centre Romania) 2.3. Navigating the digital future Kristina Maurer (S+T+ARTS EU) & Veronika Liebl (Ars Electronica Centre Austria) 2.4. The Lion and the Mouse - The move from informal to formal education in Brussels Christophe De Jaeger (Gluon - Platform for Art Science and Technology Belgium) 2.5. Artistic Thinking and Societal Change Dr. Jaana Erkkilä-Hill (University of the Arts Finland) Part Three: Politics Power & Access 3.1. The meaning of participation François Matarasso (A Restless Art / Independent researcher / blogger France) 3.2. How can culture and the arts recover and reaffirm values of solidarity? Strategy and action from a network of municipalities Marta Martins (Artemrede Portugal) 3.3. Et maintenant on va où? Diversity in arts and culture: between formal correctness and genuine needs Yamam Al-Zubaidi (National Touring Theatre of Sweden Iraq / Sweden) 3.4. Road of Oblivion and Love: Orchestrated Ebbs and Flows in Romany Cultural Development Vasil Chaprazov (Roma public intellectual Bulgaria) 3.5. Art Aesthetics and Access: disability and contemporary cultural practice Ben Evans (British Council UK) 3.6. A call to bear witness Christina Varvia (GR Forensic Architecture) Part Four: The cultural economy funding and policies in Europe 4.1. The busy intersection of cultural and social policy Tere Badia (Culture Action Europe Belgium / Estonia) & Gabriele Rosana 4.2. For Culture to address global challenges - the 2022 Recommendation of the Council of Europe Philippe Kern (KEA France) 4.3. Imagine! Philanthropy for Europe André Wilkens (NEMO Amsterdam) Isabelle Schwarz& Tsveta Andreeva (European Cultural Foundation Amsterdam) 4.4. The potential of crowdfunding in culture Isabelle De Voldere (IDEA Consult Belgium) & Martina Fraioli (European Network of Cultural Centres Belgium) 4.5. Cultural entrepreneurship and funding policies in Europe Annick Schramme (University of Antwerp Belgium) Part Five: Culture the climate emergency and the Sustainable Development Goals 5.1. Senses of Purpose Lucia Pietroiusti (Serpentine Galleries UK / Italy) 5.2. Culture and the Sustainable Development Goals Christos Carras (Onassis Cultural Centre Greece) 5.3. Environmental Policy Frameworks and Cultural Work Iphigenia Taxopoulou (Julie's Bicycle UK / Greece) 5.4. Theatre into the Doughnut Caroline Barneaud Darious Ghavami & Tristan Pannatier (Théâtre Vidy-Lausanne Switzerland) 5.5. What Would It Mean to Restitute to Earth All We Have Taken from the Earth? Decolonial Aesthesis and Transition in Art Design and Fashion a Discussion between Hicham Khalidi and Rolando Vázquez (Van Eyck Academy Netherlands / Mexico) 5.6. Ecological sensing of "aquaforming" in the age of Aquatocene Robertina Sebjanic (HR/SI Artist Croatia / Slovenia) Part Six: The digital transformation of cultural practice 6.1. The Digital Transformation of Cultural Practice Oonagh Murphy (Goldsmiths University of London UK / Ireland) 6.2. The interdependence of networked archives Alessandro Ludovico (Neural / Winchester School of Art University of Southampton UK / Italy) 6.3. How to communicate collaborate and distribute - Canal180's decade-long learnings case studies and contributions from our network João Vasconcelos (Canal 180 Portugal) 6.4. Platform fever Prodromos Tsiavos (Onassis Cultural Centre Greece) Index
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