Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the Handbook aims to provide a comprehensive and authoritative overview of the subject. The Handbook embraces the extraordinary range of disciplines which now engage in the study of the visual - film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture,…mehr
Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the Handbook aims to provide a comprehensive and authoritative overview of the subject. The Handbook embraces the extraordinary range of disciplines which now engage in the study of the visual - film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture, material culture, sociology, cultural studies and art history. Throughout, the Handbook is responsive to the cross-disciplinary nature of many of the key questions raised in visual culture around digitization, globalization, cyberculture, surveillance, spectacle, and the role of art. The Handbook guides readers new to the area, as well as experienced researchers, into the topics, issues and questions that have emerged in the study of visual culture since the start of the new millennium, conveying the boldness, excitement and vitality of the subject.
Ian Heywood is Visiting Research Fellow at the Lancaster Centre for Contemporary Arts, Lancaster University and author of Social Theories of Art: A Critique. Barry Sandywell is Honorary Research Fellow in Social Theory in the Department of Sociology, University of York, UK. He is the author of, among other works, Logological Investigations and is co-editor, with Ian Heywood, of Interpreting Visual Culture: Explorations in the Hermeneutics of the Visual. CONSULTANT EDITORS: Michael Gardiner is Professor of Sociology, Department of Sociology, University of Western Ontario, Canada. Gunalan Nadarajan is Vice Provost for Research, Maryland Institute College of Art, Baltimore, USA. Catherine Soussloff is Professor of History of Art and Visual Culture, Department of Art History and Visual Culture, University of California, Santa Cruz Division, USA.
Inhaltsangabe
General Editorial Introduction Critical Approaches to the Study of Visual Culture: An Introduction to the Handbook PART ONE: HISTORY AND THEORETICAL PERSPECTIVES Editorial Introduction 1. Major Theoretical Frameworks in Visual Culture Margaret Dikovitskaya (PhD from Columbia University USA) 2. Toward a New Visual Studies and Aesthetics: Theorizing the Turns Catherine M. Soussloff (University of British Columbia Canada) 3. Scopic Regimes of Modernity Revisited Martin Jay (University of California USA) 4. Phenomenology and its Shadow: Visuality in the Late Work of Merleau-Ponty Michael Gardiner (University of Western Ontario Canada) 5. Hermeneutical Aesthetics and an Ontogeny of the Visual Nicholas Davey (University of Dundee UK) PART TWO: ART AND VISUALITY Editorial Introduction 6. Visual Culture and Contemporary Art: Reframing the Picture Recasting the Object? Robin Marriner (Bath Spa University UK) 7. Beyond Museology: Reframing the Sensorium Donald Preziosi (UCLA USA) 8. Cubism and the Iconic Turn: A Climate of Practice the Object and Representation Ian Heywood (Lancaster University UK) 9. Reframing Nature: The Visual Experience of Early Mountaineering Simon Bainbridge (Lancaster University UK) 10. The Work on the Street: Street Art and Visual Culture Martin Irvine (Georgetown University USA) PART THREE: AESTHETICS POLITICS AND VISUAL CULTURE Editorial Introduction 11. Sociology of the Spectacle: Politics Terror Desire Roy Boyne (Executive Editorial Board Theory Culture and Society) 12. Art Feminism and Visual Culture Lisa Cartwright (University of California USA) 13. Visual Consciousness: the Impact of New Media on Literate Culture Nancy Roth (University College Falmouth UK) 14. The 'Dictatorship of the Eye': Henri Lefebvre on Vision Space and Modernity Michael Gardiner (University of Western Ontario Canada) 15. Cubist Collage and Visual Culture: Representation and Politics Ian Heywood (Lancaster University UK) PART FOUR: PRACTICES AND INSTITUTIONS OF VISUAL CULTURE Editorial Introduction 16. Looking Sharp: Fashion Studies Malcolm Barnard (Loughborough University UK) 17. Seeing Things: Apprehending Material Culture Tim Dant (University of Lancaster UK) 18. Photography and Visual Culture Fiona Summers (Lancaster University UK) 19. Television as a Global Visual Medium Kristyn Gorton (University of York UK) 20. Film and Visual Culture Andrew Spicer (University of the West of England UK) 21. Pragmatic vision: connecting aesthetics materiality and culture in landscape architectural practice Kathryn Moore (Consultant USA) 22. Images and Information in Cultures of Consumption Martin Hand (Queen's University Canada) PART FIVE: DEVELOPMENTS IN THE FIELD OF VISUAL CULTURE Editorial Introduction 23. The Question of Method: Practice Reflexivity and Critique in Visual Culture Studies Gillian Rose (The Open University UK) 24. Digital Art and Visual Culture Charlie Gere (Lancaster University UK) 25. Digitalisation Visualisation and the 'Descriptive Turn' in Contemporary Sociology Roger Burrows (University of York UK) 26. Action-based Visual and Creative Methods in Social Research David Gauntlett and Fatimah Awan (both University of Westminster UK) 27. Neuroscience and the Nature of Visual Culture John Onians Helen Anderson and Kajsa Berg (all University of East Anglia UK) 28. Re-Visualizing Anthropology through the Lens of The Ethnographer's Eye David Howes (Concordia University Canada) 29. Seven Theses on Visual Culture: Toward a Critical-Reflexive Paradigm for the New Visual Studies Barry Sandywell (University of York UK) 30. Mapping the Visual Field: A Bibliographical Guide Barry Sandywell (University of York UK) Index
General Editorial Introduction Critical Approaches to the Study of Visual Culture: An Introduction to the Handbook PART ONE: HISTORY AND THEORETICAL PERSPECTIVES Editorial Introduction 1. Major Theoretical Frameworks in Visual Culture Margaret Dikovitskaya (PhD from Columbia University USA) 2. Toward a New Visual Studies and Aesthetics: Theorizing the Turns Catherine M. Soussloff (University of British Columbia Canada) 3. Scopic Regimes of Modernity Revisited Martin Jay (University of California USA) 4. Phenomenology and its Shadow: Visuality in the Late Work of Merleau-Ponty Michael Gardiner (University of Western Ontario Canada) 5. Hermeneutical Aesthetics and an Ontogeny of the Visual Nicholas Davey (University of Dundee UK) PART TWO: ART AND VISUALITY Editorial Introduction 6. Visual Culture and Contemporary Art: Reframing the Picture Recasting the Object? Robin Marriner (Bath Spa University UK) 7. Beyond Museology: Reframing the Sensorium Donald Preziosi (UCLA USA) 8. Cubism and the Iconic Turn: A Climate of Practice the Object and Representation Ian Heywood (Lancaster University UK) 9. Reframing Nature: The Visual Experience of Early Mountaineering Simon Bainbridge (Lancaster University UK) 10. The Work on the Street: Street Art and Visual Culture Martin Irvine (Georgetown University USA) PART THREE: AESTHETICS POLITICS AND VISUAL CULTURE Editorial Introduction 11. Sociology of the Spectacle: Politics Terror Desire Roy Boyne (Executive Editorial Board Theory Culture and Society) 12. Art Feminism and Visual Culture Lisa Cartwright (University of California USA) 13. Visual Consciousness: the Impact of New Media on Literate Culture Nancy Roth (University College Falmouth UK) 14. The 'Dictatorship of the Eye': Henri Lefebvre on Vision Space and Modernity Michael Gardiner (University of Western Ontario Canada) 15. Cubist Collage and Visual Culture: Representation and Politics Ian Heywood (Lancaster University UK) PART FOUR: PRACTICES AND INSTITUTIONS OF VISUAL CULTURE Editorial Introduction 16. Looking Sharp: Fashion Studies Malcolm Barnard (Loughborough University UK) 17. Seeing Things: Apprehending Material Culture Tim Dant (University of Lancaster UK) 18. Photography and Visual Culture Fiona Summers (Lancaster University UK) 19. Television as a Global Visual Medium Kristyn Gorton (University of York UK) 20. Film and Visual Culture Andrew Spicer (University of the West of England UK) 21. Pragmatic vision: connecting aesthetics materiality and culture in landscape architectural practice Kathryn Moore (Consultant USA) 22. Images and Information in Cultures of Consumption Martin Hand (Queen's University Canada) PART FIVE: DEVELOPMENTS IN THE FIELD OF VISUAL CULTURE Editorial Introduction 23. The Question of Method: Practice Reflexivity and Critique in Visual Culture Studies Gillian Rose (The Open University UK) 24. Digital Art and Visual Culture Charlie Gere (Lancaster University UK) 25. Digitalisation Visualisation and the 'Descriptive Turn' in Contemporary Sociology Roger Burrows (University of York UK) 26. Action-based Visual and Creative Methods in Social Research David Gauntlett and Fatimah Awan (both University of Westminster UK) 27. Neuroscience and the Nature of Visual Culture John Onians Helen Anderson and Kajsa Berg (all University of East Anglia UK) 28. Re-Visualizing Anthropology through the Lens of The Ethnographer's Eye David Howes (Concordia University Canada) 29. Seven Theses on Visual Culture: Toward a Critical-Reflexive Paradigm for the New Visual Studies Barry Sandywell (University of York UK) 30. Mapping the Visual Field: A Bibliographical Guide Barry Sandywell (University of York UK) Index
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