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Charlotte Perkins Gilman's The Home is a scathing attack on the domesticity of women in the early 20th century. Her central argument, that "the economic independence and specialization of women is essential to the improvement of marriage, motherhood, domestic industry, and racial improvement" resonates in this work. Throughout, she maintains that the liberation of women-and of children and of men, for that matter-requires getting women out of the house, both practically and ideologically. AltaMira Press is proud to reprint this provocative work and introduce Charlotte Perkins Gilman to a new generation of students and feminist scholars.…mehr

Produktbeschreibung
Charlotte Perkins Gilman's The Home is a scathing attack on the domesticity of women in the early 20th century. Her central argument, that "the economic independence and specialization of women is essential to the improvement of marriage, motherhood, domestic industry, and racial improvement" resonates in this work. Throughout, she maintains that the liberation of women-and of children and of men, for that matter-requires getting women out of the house, both practically and ideologically. AltaMira Press is proud to reprint this provocative work and introduce Charlotte Perkins Gilman to a new generation of students and feminist scholars.
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Autorenporträt
Charlotte Perkins Gilman (1860-1935), also known as Charlotte Perkins Stetson, her first married name, was a prominent American humanist, novelist, writer of short stories, poetry and nonfiction, and a lecturer for social reform. She was a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. She has been inducted into the National Women's Hall of Fame. Her best remembered works today are her semi-autobiographical short story The Yellow Wallpaper, which she wrote after a severe bout of postpartum psychosis; and Herland, the rediscovered feminist classic about a civilisation without men.