The Ibero-American Baroque is an interdisciplinary, empirically-grounded contribution to the understanding of cultural exchanges in the early modern Iberian world.
The Ibero-American Baroque is an interdisciplinary, empirically-grounded contribution to the understanding of cultural exchanges in the early modern Iberian world.
Beatriz de Alba-Koch is an associate professor of History and director of Latin American Studies at the University of Victoria.
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Acknowledgments Figures Introduction: The Ibero-American Baroque as the First Global Culture Beatriz de Alba-Koch Part 1. Painting, Sculpture, and Other Arts 1. Transfers, Encounters, Innovations: The Church of the Third Order of Saint Francis of Penance in Ouro Preto Luís de Moura Sobral 2. The Elevation of the Genre of "Shrine Paintings" in Peru Evonne Levy 3. Baroque Reliquaries and Automatons as Representations of Eternal Life Enrique Fernández 4. Marian Sculpture in Baroque Portuguese America Maria Beatriz de Mello e Souza Part 2. Architecture 5. Presence and Absence: The Holy House of Loreto in Ibero-America Clara Bargellini 6. From Intimate to Infinite Presence: The Camarín at Tepotzotlán Ricardo Castro 7. Passion in Motion: The Way of the Cross as Performance in New Spain Alena Robin Part 3. Music 8. Music in Processions at the Jesuit Reducciones of Moxos and Chiquitos in Bolivia Piotr Nawrot 9. Neapolitan Technology and Galant Style in a Novohispano Context: Eight Concerted Responsories by Ignacio Jerusalem Lucero Enríquez Rubio 10. The Resonance of Sor Juana’s Villancicos in Spanish Cathedral Archives Aurelio Tello Part 4. Textual Continuities and Change 11. Emblems and Wit in the Hispanic Baroque according to Baltasar Gracián Pablo Restrepo-Gautier 12. The Baroque as Paradox: Novelty and Printed Courtly Sermons in Seventeenth- and Eighteenth-Century New Spain Perla Chinchilla Pawling 13. The Literary Dream in Querétaro: A Baroque Genre and Enlightenment Ideals in New Spain Beatriz de Alba-Koch Bibliography Contributors
Acknowledgments Figures Introduction: The Ibero-American Baroque as the First Global Culture Beatriz de Alba-Koch Part 1. Painting, Sculpture, and Other Arts 1. Transfers, Encounters, Innovations: The Church of the Third Order of Saint Francis of Penance in Ouro Preto Luís de Moura Sobral 2. The Elevation of the Genre of "Shrine Paintings" in Peru Evonne Levy 3. Baroque Reliquaries and Automatons as Representations of Eternal Life Enrique Fernández 4. Marian Sculpture in Baroque Portuguese America Maria Beatriz de Mello e Souza Part 2. Architecture 5. Presence and Absence: The Holy House of Loreto in Ibero-America Clara Bargellini 6. From Intimate to Infinite Presence: The Camarín at Tepotzotlán Ricardo Castro 7. Passion in Motion: The Way of the Cross as Performance in New Spain Alena Robin Part 3. Music 8. Music in Processions at the Jesuit Reducciones of Moxos and Chiquitos in Bolivia Piotr Nawrot 9. Neapolitan Technology and Galant Style in a Novohispano Context: Eight Concerted Responsories by Ignacio Jerusalem Lucero Enríquez Rubio 10. The Resonance of Sor Juana’s Villancicos in Spanish Cathedral Archives Aurelio Tello Part 4. Textual Continuities and Change 11. Emblems and Wit in the Hispanic Baroque according to Baltasar Gracián Pablo Restrepo-Gautier 12. The Baroque as Paradox: Novelty and Printed Courtly Sermons in Seventeenth- and Eighteenth-Century New Spain Perla Chinchilla Pawling 13. The Literary Dream in Querétaro: A Baroque Genre and Enlightenment Ideals in New Spain Beatriz de Alba-Koch Bibliography Contributors
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