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The text delves into the longstanding debate surrounding the authorship and unity of the Homeric epics, "The Iliad" and "The Odyssey." It begins by acknowledging the skepticism that has surrounded the existence of Homer as a singular historical figure, a skepticism that has been fueled by the lack of concrete biographical evidence and the mythical nature of the narratives themselves. The text explores various theories, including the notion that the epics were not the work of a single poet but rather a compilation of songs and rhapsodies by multiple authors, later unified by figures such as…mehr

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The text delves into the longstanding debate surrounding the authorship and unity of the Homeric epics, "The Iliad" and "The Odyssey." It begins by acknowledging the skepticism that has surrounded the existence of Homer as a singular historical figure, a skepticism that has been fueled by the lack of concrete biographical evidence and the mythical nature of the narratives themselves. The text explores various theories, including the notion that the epics were not the work of a single poet but rather a compilation of songs and rhapsodies by multiple authors, later unified by figures such as Peisistratus. The Wolfian theory, which posits that the epics were assembled from pre-existing songs during the time of Peisistratus, is critically examined. The text also considers the role of oral tradition and the absence of early written records in shaping the epics. Despite the various theories, the text leans towards the belief in a singular authorship, emphasizing the cohesive narrative and stylistic unity of the epics. It argues that the emotional and imaginative progression of the poems supports the idea of a single, visionary creator. The text concludes by highlighting the profound influence of Homer on Greek culture and literature, suggesting that the unity of the epics is integral to their enduring legacy.