In this volume, experts in film studies and art history take up the debate, begun by philosopher Walter Benjamin, about the power and scope of the image in a secular age.
In this volume, experts in film studies and art history take up the debate, begun by philosopher Walter Benjamin, about the power and scope of the image in a secular age.
1. A Preface to Disputation (Dudley Andrew) 2. I. What Did Walter Benjamin See? Image Cultures, 1890-1933 * Introduction (Dudley Andrew) * Beauty's Veils: The Ambivalent Iconoclasm of Kierkegaard and Benjamin (John Durham Peters) * Jules, Jim, and Walter Benjamin (Dudley Andrew) * Women on the Screens and Streets of Modernity: In Search of the Female Flaneur (Anke Gleber) * The Fair View: Female Spectators and the 1893 Chicago World's Columbian Exposition (Lauren Rabinovitz) * Faces of Weimar Germany (Sabine Hake) 3. II. Traditional Arts and the Shock of This Century's Image * Introduction (Dudley Andrew) * The Cubist Image and the Image of Cubism (Jennifer Pap) * Pop Art/Pop Culture: Neo-Dada and the Politics of Plenty (Estera Milman) * (Re)Imaging the Grotesque: Francis Bacon's Crucifixion Triptychs (Robert Newman) 4. III. Vision and Interpretation after Photography * Introduction (Dudley Andrew) * The Variable Eye, or the Mobilization of the Gaze (Jacques Aumont, translated by Charles O'Brien and Sally Shafto) * The End of Cinema? An Afterword to Jacques Aumont's "The Variable Eye" (Charles O'Brien) * From the Captured Moment to the Cinematic Image: A Transformation in Pictorial Order (James Lastra) * Snapshots: The Beginnings of Photography (Robert B. Ray) * Immediate History: Videotape Interventions and Narrative Film (Timothy Corrigan) 5. About the Contributors
1. A Preface to Disputation (Dudley Andrew) 2. I. What Did Walter Benjamin See? Image Cultures, 1890-1933 * Introduction (Dudley Andrew) * Beauty's Veils: The Ambivalent Iconoclasm of Kierkegaard and Benjamin (John Durham Peters) * Jules, Jim, and Walter Benjamin (Dudley Andrew) * Women on the Screens and Streets of Modernity: In Search of the Female Flaneur (Anke Gleber) * The Fair View: Female Spectators and the 1893 Chicago World's Columbian Exposition (Lauren Rabinovitz) * Faces of Weimar Germany (Sabine Hake) 3. II. Traditional Arts and the Shock of This Century's Image * Introduction (Dudley Andrew) * The Cubist Image and the Image of Cubism (Jennifer Pap) * Pop Art/Pop Culture: Neo-Dada and the Politics of Plenty (Estera Milman) * (Re)Imaging the Grotesque: Francis Bacon's Crucifixion Triptychs (Robert Newman) 4. III. Vision and Interpretation after Photography * Introduction (Dudley Andrew) * The Variable Eye, or the Mobilization of the Gaze (Jacques Aumont, translated by Charles O'Brien and Sally Shafto) * The End of Cinema? An Afterword to Jacques Aumont's "The Variable Eye" (Charles O'Brien) * From the Captured Moment to the Cinematic Image: A Transformation in Pictorial Order (James Lastra) * Snapshots: The Beginnings of Photography (Robert B. Ray) * Immediate History: Videotape Interventions and Narrative Film (Timothy Corrigan) 5. About the Contributors
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