The first English-language translation of the 1968 activist play about inequality and access to education. The play was created by Théâtre de l’Aquarium, a company then composed entirely of students, and based on sociologists Pierre Bourdieu and Jean-Claude Passeron’s Inheritors: French Students and Their Relations to Culture.
The first English-language translation of the 1968 activist play about inequality and access to education. The play was created by Théâtre de l’Aquarium, a company then composed entirely of students, and based on sociologists Pierre Bourdieu and Jean-Claude Passeron’s Inheritors: French Students and Their Relations to Culture.
Kate Bredeson (she/her) is a theater historian, director, and dramaturg. Her project as a scholar is to research, write about, and practice the ways in which theater can be a tool for radical activism and protest. She is the author of Occupying the Stage: The Theater of May '68 (finalist, George Freedley Award) and the editor of The Diaries of Judith Malina, both published by Northwestern University Press. She is a professor of theater at Reed College in Portland, Oregon. Thalia Wolff (she/her) is an interdisciplinary theater maker, teaching artist, and storyteller. She is an MA candidate in Emerson College’s Theatre Education and Applied Theatre program.
Inhaltsangabe
Acknowledgements Introduction, Kate Bredeson Reflections on the Staged Reading and Community Discussions of The Inheritor, Thalia Wolff Cast of Characters The Inheritor
Acknowledgements Introduction, Kate Bredeson Reflections on the Staged Reading and Community Discussions of The Inheritor, Thalia Wolff Cast of Characters The Inheritor
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