Caught in the crossfire of his own effortless cynicism and his silent, secret vulnerability, Stahr inhabits a world dominated by business, alcohol and promiscuity. If there is a moral or social necessity to film-making in this West Coast never-never land, Stahr does not always believe in it. If there is love he does not always see it.
He was better than he knew, for in fact and in the literary sense he invented a generation. The New York Times
It would have been Fitzgerald's best novel . . . Even in this truncated form it not only makes absorbing reading; it is the best piece of creative writing that we have about one phase of American life - Hollywood and the movies New York Times








