From "one of our most formally ambitious writers" (Esquire), a moving account of art and caretaking in our precarious present. In The Light Room, Zambreno offers a candid chronicle of life as a parent in a moment of profound uncertainty about public health, climate change, and the future we can expect for our children. Moving through the seasons, returning often to parks and green spaces, Zambreno captures moments of isolation and exhaustion alongside small and transcendent joys. In conversation with writers and artists ranging from Natalia Ginzburg to Joseph Cornell, Yūko Tsushima to…mehr
From "one of our most formally ambitious writers" (Esquire), a moving account of art and caretaking in our precarious present. In The Light Room, Zambreno offers a candid chronicle of life as a parent in a moment of profound uncertainty about public health, climate change, and the future we can expect for our children. Moving through the seasons, returning often to parks and green spaces, Zambreno captures moments of isolation and exhaustion alongside small and transcendent joys. In conversation with writers and artists ranging from Natalia Ginzburg to Joseph Cornell, Yūko Tsushima to Bernadette Mayer, Etel Adnan to David Wojnarowicz, The Light Room represents an impassioned appreciation of community and the commons, and an ecstatic engagement with the living world. How are our memories, and our children's, affected by our profound disconnection? What does it mean to bring new life, and new work, into this world of precarity and crisis? In The Light Room, Zambreno offers a vision of how to live in ways that move away from disenchantment, and toward light and possibility.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kate Zambreno is the author most recently of Drifts, To Write As if Already Dead, a study of Hervé Guibert, The Light Room, and a collaborative study on tone in literature with Sofia Samatar. They live in Brooklyn with their two children and their partner, John Vincler. A 2021 Guggenheim Fellow in Nonfiction, they have published fiction and reports in The New Yorker, The Paris Review, Granta, VQR, Astra, BOMB, and more. Their books have been or will be translated into Spanish, Swedish, Japanese, French, German, Dutch, Italian, Turkish, and Arabic.
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