Daniel J. Sherman is Professor of Art History at the University of North Carolina. Ruud van Dijk is Professor of History and International Relations at the University of Amsterdam. Jasmine Alinder is Associate Professor of History at the University of Wisconsin-Milwaukee. A. Aneesh is Associate Professor of Sociology and Global Studies at the University of Wisconsin-Milwaukee.
Daniel J. Sherman is Professor of Art History at the University of North Carolina. Ruud van Dijk is Professor of History and International Relations at the University of Amsterdam. Jasmine Alinder is Associate Professor of History at the University of Wisconsin-Milwaukee. A. Aneesh is Associate Professor of Sociology and Global Studies at the University of Wisconsin-Milwaukee.
Daniel J. Sherman is Professor of Art History at the University of North Carolina. Ruud van Dijk is Professor of History and International Relations at the University of Amsterdam. Jasmine Alinder is Associate Professor of History at the University of Wisconsin-Milwaukee. A. Aneesh is Associate Professor of Sociology and Global Studies at the University of Wisconsin-Milwaukee.
Inhaltsangabe
Acknowledgments IntroductionJasmine Alinder, A. Aneesh, Daniel J. Sherman, and Ruud van Dijk Part 1. 1968, the Text 1. Foucault's 1968Bernard Gendron 2. Palimpsests of '68: Theorizing Labor after AdornoRichard Langston 3. What's Left of the Right to the City?Judit Bodnar Part 2. Locating Politics 4. The Rise and Fall of an International Counterculture, 1960-1975Jeremi Suri 5. Invisible Humanism: An African 1968 and Its AftermathsJames Ferguson 6. Pushing Luck Too Far: '68, Northern Ireland, and NonviolenceSimon Prince 7. Mexico 1968 and the Art(s) of MemoryJacqueline E. Bixler Part 3. Bodies, Protest, and Art 8. White Power, Black Power, and the 1968 Olympic ProtestsMartin A. Berger 9. Bodies Count: The Sixties Body in American PoliticsRobert O. Self 10. Beginning 9 EveningsMichelle Kuo 11. Sensorial Techniques of the Self: From the Jouissance of May '68 to the Economy of the DelayNoit Banai Part 4. 1968, the Movie 12. Tempered Nostalgia in Recent French Films on the '68 YearsJulian Bourg 13. Rhetorics of Resistance: The Port Huron ProjectMark Tribe Contributors Index
Acknowledgments IntroductionJasmine Alinder, A. Aneesh, Daniel J. Sherman, and Ruud van Dijk Part 1. 1968, the Text 1. Foucault's 1968Bernard Gendron 2. Palimpsests of '68: Theorizing Labor after AdornoRichard Langston 3. What's Left of the Right to the City?Judit Bodnar Part 2. Locating Politics 4. The Rise and Fall of an International Counterculture, 1960-1975Jeremi Suri 5. Invisible Humanism: An African 1968 and Its AftermathsJames Ferguson 6. Pushing Luck Too Far: '68, Northern Ireland, and NonviolenceSimon Prince 7. Mexico 1968 and the Art(s) of MemoryJacqueline E. Bixler Part 3. Bodies, Protest, and Art 8. White Power, Black Power, and the 1968 Olympic ProtestsMartin A. Berger 9. Bodies Count: The Sixties Body in American PoliticsRobert O. Self 10. Beginning 9 EveningsMichelle Kuo 11. Sensorial Techniques of the Self: From the Jouissance of May '68 to the Economy of the DelayNoit Banai Part 4. 1968, the Movie 12. Tempered Nostalgia in Recent French Films on the '68 YearsJulian Bourg 13. Rhetorics of Resistance: The Port Huron ProjectMark Tribe Contributors Index
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