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"Monsieur, this box is yours. My friend, M. Theophrastus Longuet, charged me to bring it to you." With that he opened the door, went through it, and shut it behind him. I stared at the sandalwood box; I stared at the door; then I ran after the man. He had vanished. I had the sandalwood box opened; and in it I found a bundle of manuscripts. In a newspaper office one is used to receiving bundles of manuscripts; and I began to look through them with considerable weariness. Very soon it changed to the liveliest interest. As I went deeper and deeper into these posthumous documents I found the story…mehr

Produktbeschreibung
"Monsieur, this box is yours. My friend, M. Theophrastus Longuet, charged me to bring it to you." With that he opened the door, went through it, and shut it behind him. I stared at the sandalwood box; I stared at the door; then I ran after the man. He had vanished. I had the sandalwood box opened; and in it I found a bundle of manuscripts. In a newspaper office one is used to receiving bundles of manuscripts; and I began to look through them with considerable weariness. Very soon it changed to the liveliest interest. As I went deeper and deeper into these posthumous documents I found the story related in them more and more extraordinary, more and more incredible. For a long while I disbelieved it. However, since the proofs of it exist, I ended, after a searching inquiry into them, by believing it to be true.
Autorenporträt
Detective fiction writer Gaston Louis Alfred Leroux was a French journalist who lived from May 6, 1868, until April 15, 1927. His most well-known work in the English-speaking world is The Phantom of the Opera (1909), which has been adapted for the stage and screen multiple times. The most notable adaptations are the 1986 musical by Andrew Lloyd Webber and the 1925 film starring Lon Chaney. One of the most well-known mysteries involving locked rooms is his 1907 book The Mystery of the Yellow Room. After returning from reporting a volcanic explosion in 1907 and being assigned to another job without vacation time, he left journalism and started writing fiction. He also attended a case that included a thorough study and coverage of the former Paris Opera, which is now home to the Paris Ballet. There was a cell in the basement that housed Paris Commune inmates.