"The Matter of Images" explores what "representation" means, analyzing images in terms of why they matter, what they are made of and the material realities they refer to. Richard Dyer moves from considerations of strongly negative representations of "out" groups to representations of dominant groups in society--men, heterosexuals, whites. His discussion encompasses the eclectic texts of contemporary culture, from royalty to dykes, politically correct labels, representations of Empire and films such as "Gilda, Papillon, " and "Night of the Living Dead." This second edition features a new…mehr
"The Matter of Images" explores what "representation" means, analyzing images in terms of why they matter, what they are made of and the material realities they refer to. Richard Dyer moves from considerations of strongly negative representations of "out" groups to representations of dominant groups in society--men, heterosexuals, whites. His discussion encompasses the eclectic texts of contemporary culture, from royalty to dykes, politically correct labels, representations of Empire and films such as "Gilda, Papillon, " and "Night of the Living Dead." This second edition features a new article on serial killers, along with a new introduction.In the second edition of this classic book, Dyer analyses culture from royalty to serial killers, political correctnesss and films.
Richard Dyer is Professor Emeritus of Film Studies at King's College, London, and Professorial Fellow in Film Studies at the University of St Andrews, UK. He has been honoured by the Society for Cinema and Media Studies, the British Association of Film, Television and Screen Studies, and Turku and Yale Universities, and is a Fellow of the British Academy. His many books include Stars (1979), White (1997), The Culture of Queers (2002), Nino Rota (BFI, 2010) and In the Space of a Song (2012), and he is the author of BFI Film Classics on 'Se7en' (1999), Brief Encounter (2002, 2015) and La Dolce Vita (2017).
Inhaltsangabe
Chapter 1 Introduction Chapter 2 In a word Chapter 3 The role of stereotypes Chapter 4 Seen to be believed: some problems in the representation of gay people as typical Chapter 5 Homosexuality and film noir Chapter 6 Victim: hegemonic project Chapter 7 Male sexuality in the media Chapter 8 Brief affairs Chapter 9 Papillon Chapter 10 Three questions about serial killing Chapter 11 Straight acting Chapter 12 A Passage to India Chapter 13 White Chapter 14 Lillian Gish: a white star Chapter 15 Into the light: the whiteness of the South in The Birth of a Nation
Chapter 1 Introduction Chapter 2 In a word Chapter 3 The role of stereotypes Chapter 4 Seen to be believed: some problems in the representation of gay people as typical Chapter 5 Homosexuality and film noir Chapter 6 Victim: hegemonic project Chapter 7 Male sexuality in the media Chapter 8 Brief affairs Chapter 9 Papillon Chapter 10 Three questions about serial killing Chapter 11 Straight acting Chapter 12 A Passage to India Chapter 13 White Chapter 14 Lillian Gish: a white star Chapter 15 Into the light: the whiteness of the South in The Birth of a Nation
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