Examining the work of Aretha Franklin, Nina Simone, Solange Knowles, Flying Lotus, and others, Emily J. Lordi proposes a new understanding of soul, showing how it came to signify a belief in black resilience enacted through musical practices.
Examining the work of Aretha Franklin, Nina Simone, Solange Knowles, Flying Lotus, and others, Emily J. Lordi proposes a new understanding of soul, showing how it came to signify a belief in black resilience enacted through musical practices.
Emily J. Lordi is Associate Professor of English at Vanderbilt University and the author of Black Resonance and Donny Hathaway Live.
Inhaltsangabe
Acknowledgments ix Introduction: Keeping On 1 1. From Soul to Post-soul: A Literary and Musical History 19 2. We Shall Overcome, Shelter, and Veil: Soul Covers 46 3. Rescripted Relations: Soul Ad-libs 74 4. Emergent Interiors: Soul Falsettos 101 5. Never Catch Me: False Endings from Soul to Post-soul 126 Conclusion. "I'm Tired of Marvin Asking Me What's Going On": Soul Legacies and the Work of Afropresentism 150 Notes 165 Index 205
Acknowledgments ix Introduction: Keeping On 1 1. From Soul to Post-soul: A Literary and Musical History 19 2. We Shall Overcome, Shelter, and Veil: Soul Covers 46 3. Rescripted Relations: Soul Ad-libs 74 4. Emergent Interiors: Soul Falsettos 101 5. Never Catch Me: False Endings from Soul to Post-soul 126 Conclusion. "I'm Tired of Marvin Asking Me What's Going On": Soul Legacies and the Work of Afropresentism 150 Notes 165 Index 205
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