The Migrant Image offers a sophisticated analysis of how refugee and exiled artists imagine a globalized world where borders are shifting, populations are forcibly removed from their homelands, and the gap separating the rich from the poor is growing.
The Migrant Image offers a sophisticated analysis of how refugee and exiled artists imagine a globalized world where borders are shifting, populations are forcibly removed from their homelands, and the gap separating the rich from the poor is growing.
T. J. Demos is Reader in Art History at University College London. He is the author of Dara Birnbaum-Technology/Transformation: Wonder Woman and The Exiles of Marcel Duchamp.
Inhaltsangabe
Illustrations vii Check-In: A Prelude xiii Charting a Course: Exile, Diaspora, Nomads, Refugees: A Genealogy of Art and Migration 1 Departure A. Moving Images of Globalization 21 1. Indeterminacy and Bare Life in Steve McQueen's Western Deep 33 2. "Sabotaging the Future": The Essay-Films of the Otolith Group 54 3. Hito Steyerl's Traveling Images 74 Transit: Politicizing Aesthetics 90 Departure B. Life Full of Holes 95 4. The Art of Emily Jacir: Dislocation and Politicization 103 5. Recognizing the Unrecognized: The Photographs of Ahlam Shibli 124 6. The Right of Opacity: On the Otolith Group's Nervus Rerum 144 Transit: Going Offshore 160 Departure C. Zones of Conflict 169 7. Out of Beirut: Mobile Histories and the Politics of Fiction 177 8. Video's Migrant Geography: Ursula Biemann's Sahara Chronicle 201 9. Means without End: Ayreen Anastas and Rene Gabri's Camp Campaign 221 Destination: The Politics of Aesthetics during Global Crisis 245 Acknowledgments 251 Notes 255 Bibliography 305 Index 323
Illustrations vii Check-In: A Prelude xiii Charting a Course: Exile, Diaspora, Nomads, Refugees: A Genealogy of Art and Migration 1 Departure A. Moving Images of Globalization 21 1. Indeterminacy and Bare Life in Steve McQueen's Western Deep 33 2. "Sabotaging the Future": The Essay-Films of the Otolith Group 54 3. Hito Steyerl's Traveling Images 74 Transit: Politicizing Aesthetics 90 Departure B. Life Full of Holes 95 4. The Art of Emily Jacir: Dislocation and Politicization 103 5. Recognizing the Unrecognized: The Photographs of Ahlam Shibli 124 6. The Right of Opacity: On the Otolith Group's Nervus Rerum 144 Transit: Going Offshore 160 Departure C. Zones of Conflict 169 7. Out of Beirut: Mobile Histories and the Politics of Fiction 177 8. Video's Migrant Geography: Ursula Biemann's Sahara Chronicle 201 9. Means without End: Ayreen Anastas and Rene Gabri's Camp Campaign 221 Destination: The Politics of Aesthetics during Global Crisis 245 Acknowledgments 251 Notes 255 Bibliography 305 Index 323
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