Gabriele Schwab revitalizes debates about literature's cultural function by exploring literary experience as an encounter with otherness.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
GABRIELE SCHWAB is Professor of English and Comparative Literature at the University of California-Irvine.
Inhaltsangabe
Preface Acknowledgments I. The Otherness of Poetic Language 1. Reading, Otherness, and Cultural Contact II. Nonsense, Dream, and Chaos: The Otherness of Literary Language 2. Nonsense and Metacommunication: Reflections on Lewis Carroll 3. Joyce, Cage, and Chaos: Finnegan's Wake, Roaratoria, and French Feminism III. Witches, Mothers, and Male Fantasies: The Otherness of Woman 4. Seduced by Witches: Nathaniel Hawthorne's The Scarlet Letter in the Context of New England Witchcraft Fictions 5. The Multiple Lives of Addie Bundren's Dead Body: On William Faulkner's As I Lay Dying IV. Trauma, Transgression, and Transference: The Otherness of Gender 6. Traversing Spaces of Otherness: Djuna Barnes's Nightwood 7. "While She Lives She Invites Murder": On Marguerite Duras's The Malady of Death Notes Works Cited Index
Preface Acknowledgments I. The Otherness of Poetic Language 1. Reading, Otherness, and Cultural Contact II. Nonsense, Dream, and Chaos: The Otherness of Literary Language 2. Nonsense and Metacommunication: Reflections on Lewis Carroll 3. Joyce, Cage, and Chaos: Finnegan's Wake, Roaratoria, and French Feminism III. Witches, Mothers, and Male Fantasies: The Otherness of Woman 4. Seduced by Witches: Nathaniel Hawthorne's The Scarlet Letter in the Context of New England Witchcraft Fictions 5. The Multiple Lives of Addie Bundren's Dead Body: On William Faulkner's As I Lay Dying IV. Trauma, Transgression, and Transference: The Otherness of Gender 6. Traversing Spaces of Otherness: Djuna Barnes's Nightwood 7. "While She Lives She Invites Murder": On Marguerite Duras's The Malady of Death Notes Works Cited Index
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