Tippett is often cast as a composer with a strong visionary streak, but what does that mean for a twentieth-century artist? In this multi-faceted study, David Clarke explores Tippett's complex creative imagination - its dialogue between a romantic's aspirations to the ideal and absolute, and a modernist's sceptical realism. He shows how the musical formations of works such as The Midsummer Marriage, King Priam, and The Vision of Saint Augustine resonate with the aesthetic and theoretical ideas of key figures in modern Western culture - some known to have been influential to the composer (such…mehr
Tippett is often cast as a composer with a strong visionary streak, but what does that mean for a twentieth-century artist? In this multi-faceted study, David Clarke explores Tippett's complex creative imagination - its dialogue between a romantic's aspirations to the ideal and absolute, and a modernist's sceptical realism. He shows how the musical formations of works such as The Midsummer Marriage, King Priam, and The Vision of Saint Augustine resonate with the aesthetic and theoretical ideas of key figures in modern Western culture - some known to have been influential to the composer (such as Jung, Wagner and Yeats), others not usually associated with him (such as Kant, Nietzsche and Adorno). Analyses of late works such as the Triple Concerto and Byzantium also speculate on Tippett's sexuality as a (literally) critical element in his creative and political consciousness.
Foreword Dr Philip Fleming By Dr Philip Fleming MA. BA, Bch. FRCPsych. DPM "Converted on LSD Trip" was the first title of this book and now republished for a wider audience. This book, the personal testament of David Clarke, in an autobiographical style. It charts his life, which became one of criminality and drug taking though an experience in 1970 of finding God whilst under the influence of LSD. Cynics may say that this was just an effect of drugs, but it is clear that the experience changed his life. Later when in court facing charges he admitted to many other crimes and was fortunate in receiving three years conditional discharge and not a prison sentence. Since then, David has combined his work as a lecturer in electronics with his mission of spreading the word of God. This is a scrupulously honest book, recording both the difficulties he has faced as well as the successes in his life since 1970. A continuing worry is the fat of his brother, currently serving a long prison sentence in a Philippine jail, who himself has recently found God. "This is an inspiring story of a life that has been turned from crime to a positive account and may be of help to others who find themselves directionless and involved in crime and drug misuse". Dr. Philip M. Fleming. MA. BA, Bch. FRCPsych. DPM. Consultant Psychiatrist with special responsibility for drug and alcohol misuse
Inhaltsangabe
Acknowledgements References to Tippett's scores and essays 1. Tippett and the 'world vision' of modernity 2. The significance of the concept 'image' in Tippett's musical thought: a perspective from Jung 3. Back to Nietzsche? Transformations of the dionysiac in The Midsummer Marriage and King Priam 4. Metaphysics in a cold climate: The Vision of Saint Augustine 5. 'Shall we ...? Affirm!' The ironic and the sublime in The Mask of Time 6. The meaning of 'lateness': mediations of work, self and society in Tippett's Triple Concerto 7. The golden bird and the porcelain bowl: Byzantium and the politics of artefacts Notes Bibliography Index.
Acknowledgements References to Tippett's scores and essays 1. Tippett and the 'world vision' of modernity 2. The significance of the concept 'image' in Tippett's musical thought: a perspective from Jung 3. Back to Nietzsche? Transformations of the dionysiac in The Midsummer Marriage and King Priam 4. Metaphysics in a cold climate: The Vision of Saint Augustine 5. 'Shall we ...? Affirm!' The ironic and the sublime in The Mask of Time 6. The meaning of 'lateness': mediations of work, self and society in Tippett's Triple Concerto 7. The golden bird and the porcelain bowl: Byzantium and the politics of artefacts Notes Bibliography Index.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826