The Musician's Guide to Aural Skills - Marvin, Elizabeth West; Clendinning, Jane Piper; Phillips, Joel; Murphy, Paul
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Erscheint vorauss. 1. Juli 2026
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What began as a conversation between two colleagues about music theory textbooks has grown into a leading music theory and aural skills curriculum. The Musician's Guide to Aural Skills helps students develop critical musicianship skills through a repertoire of real music that your students listen to and perform. Designed to link aural skills with what students do in the theory classroom, the two volumes-one for ear-training and one for sight-singing-are closely coordinated with The Musician's Guide to Theory and Analysis, with sequence and topics aligned so that students maintain the same pace in their theory work and aural skills practice.…mehr

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Produktbeschreibung
What began as a conversation between two colleagues about music theory textbooks has grown into a leading music theory and aural skills curriculum. The Musician's Guide to Aural Skills helps students develop critical musicianship skills through a repertoire of real music that your students listen to and perform. Designed to link aural skills with what students do in the theory classroom, the two volumes-one for ear-training and one for sight-singing-are closely coordinated with The Musician's Guide to Theory and Analysis, with sequence and topics aligned so that students maintain the same pace in their theory work and aural skills practice.
Autorenporträt
Joel Phillips is professor emeritus of music theory and composition at Westminster Choir College of Rider University and recipient of its Distinguished Teaching Award. His compositions are published by G. Schirmer, Transcontinental, GIA, and Shawnee Press. A long-time member of the editorial review board of the Journal of Music Theory Pedagogy, Phillips served five years as Chief Faculty Consultant for the Advanced Placement (AP) Examination in Music Theory and is the longest-serving College Board presenter for AP Music. Phillips is a founding member and past president of the Music Theory Society of the Mid-Atlantic and a former editor of the Society for Music Theory's Newsletter.