In G. K. Chesterton's audacious first novel, The Napoleon of Notting Hill, the familiar streets of London are transformed into a stage for satire, romance, and rebellion. Set in a whimsically unchanged 1984, Chesterton imagines a future where democracy has faded and the city's boroughs are ruled by randomly selected, ceremonial kings. When the irreverent Auberon Quin is crowned, he amuses himself by decreeing elaborate medieval pageantry for the city's districts-an act most take as a joke. All, that is, except Adam Wayne, the earnest provost of Notting Hill, who embraces Quin's mockery as a…mehr
In G. K. Chesterton's audacious first novel, The Napoleon of Notting Hill, the familiar streets of London are transformed into a stage for satire, romance, and rebellion. Set in a whimsically unchanged 1984, Chesterton imagines a future where democracy has faded and the city's boroughs are ruled by randomly selected, ceremonial kings. When the irreverent Auberon Quin is crowned, he amuses himself by decreeing elaborate medieval pageantry for the city's districts-an act most take as a joke. All, that is, except Adam Wayne, the earnest provost of Notting Hill, who embraces Quin's mockery as a call to arms and inspires his neighbors to defend their patch of London with heroic zeal. What begins as farce erupts into a battle for autonomy, as Wayne's romantic idealism collides with the apathy and cynicism of his contemporaries. Through this comic clash, Chesterton explores the paradoxes of patriotism, the absurdities of bureaucracy, and the enduring power of local pride. With wit and imaginative flair, The Napoleon of Notting Hill remains a timeless meditation on the meaning of community and the necessity of finding wonder-even in the most ordinary places. This Warbler Classics edition includes an extensive biographical timeline of Chesterton's life and work.
G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, lay theologian, and literary and art critic. He is best known in mystery circles as the creator of the fictional priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. In 1895, at the age of twenty-one, Chesterton began working for the London publisher George Redway. A year later he moved to another publisher, T. Fisher Unwin, where he undertook his first work in journalism, illustration, and literary criticism. In addition to writing fifty-three Father Brown stories, Chesterton authored articles and books of social criticism, philosophy, theology, economics, literary criticism, biography, and poetry.
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