Focuses on the aural elements which combine with moving images The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. * Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images * Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds * Provides a new platform for discourse on how aural elements combine with moving images…mehr
Focuses on the aural elements which combine with moving images The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. * Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images * Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds * Provides a new platform for discourse on how aural elements combine with moving images
Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School. Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School. Dominic Power is an independent writer and film historian.
Inhaltsangabe
Symphonies of Noise: The Urban Soundscape in Rouben Momoulian's Applause, City Lights, Dr Jekyll and Mr Hyde and Love Me Tonight Dominic Power Music as an element of narration in poetic documentaries Kerstin Stutterheim Embodied Resonances: The Sonic Pathways in Jean-Marc Vallée's film Wild Alison Walker Shepard tones and production of meaning in recent films: Lucrecia Martel's Zama and Christopher Nolan's Dunkirk Eleonora Rapan From 'Screenwriting for Sound' to Film Sound Maps: The Evolution of Live Tone's Creative Alliance with Bong Joon-ho Nikki J. Y. Lee and Julian Stringer Some Notes on the use of Voice-Over Roger Crittenden Approaches to Sound Design: Murch and Burtt Gustavo Costantini Presentation to the School of Sound Peter Sellars
Symphonies of Noise: The Urban Soundscape in Rouben Momoulian's Applause, City Lights, Dr Jekyll and Mr Hyde and Love Me Tonight Dominic Power Music as an element of narration in poetic documentaries Kerstin Stutterheim Embodied Resonances: The Sonic Pathways in Jean-Marc Vallée's film Wild Alison Walker Shepard tones and production of meaning in recent films: Lucrecia Martel's Zama and Christopher Nolan's Dunkirk Eleonora Rapan From 'Screenwriting for Sound' to Film Sound Maps: The Evolution of Live Tone's Creative Alliance with Bong Joon-ho Nikki J. Y. Lee and Julian Stringer Some Notes on the use of Voice-Over Roger Crittenden Approaches to Sound Design: Murch and Burtt Gustavo Costantini Presentation to the School of Sound Peter Sellars
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