It's 1910, and thirteen-year-old Patty Hirst has just been offered the opportunity of a lifetime. Her wealthy uncle will pay for her to join her cousin Ruby at the exclusive Morton Priory College, if Patty will undertake to be a loyal companion to his daughter. Unfortunately, Ruby seems to loathe Patty and rebuffs her every attempt to fulfil her obligations. As Ruby treats her with increasing hostility, Patty is more determined than ever to keep her promise to her uncle, earning herself the reputation as the nicest girl in the school due to her patience and kindness towards someone so nasty.
It's 1910, and thirteen-year-old Patty Hirst has just been offered the opportunity of a lifetime. Her wealthy uncle will pay for her to join her cousin Ruby at the exclusive Morton Priory College, if Patty will undertake to be a loyal companion to his daughter. Unfortunately, Ruby seems to loathe Patty and rebuffs her every attempt to fulfil her obligations. As Ruby treats her with increasing hostility, Patty is more determined than ever to keep her promise to her uncle, earning herself the reputation as the nicest girl in the school due to her patience and kindness towards someone so nasty.
Angela Brazil (30 November 1868 - 13 March 1947) was one of the first British writers of "modern schoolgirls' stories", written from the characters' point of view and intended primarily as entertainment rather than moral instruction. In the first half of the 20th century, she published nearly 50 books of girls' fiction, the vast majority being boarding school stories. She also published numerous short stories in magazines. Her books were commercially successful, widely read by pre-adolescent girls, and influenced them. Though interest in girls' school stories waned after World War II, her books remained popular until the 1960s. They were seen as disruptive and had a negative influence on moral standards by some figures in authority during the height of their popularity, and in some cases were banned, or indeed burned, by headmistresses in British girls' schools. While her stories have been much imitated in more recent decades, and many of her motifs and plot elements have since become clichés or the subject of parody, they were innovative when they first appeared. Brazil made a major contribution to changing the nature of fiction for girls. She presented a young female point of view that was active, aware of current issues, and independent-minded; she recognized adolescence as a time of transition and accepted girls as having common interests and concerns which could be shared and acted upon.
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