The Optic of the State traces the production of nationalist imaginaries through the public visual representation of modern state formation in Brazil and Argentina. As Jens Andermann reveals, the foundational visions of national heritage, territory, and social and ethnic composition were conceived and implemented, but also disputed and contested, in a complex interplay between government, cultural, and scientific institutions and actors, as a means of propagating political agendas and power throughout the emerging states. >The Optic of the State offers a fascinating critique of the visual aspects of national mythology. It exposes how scientific and cultural institutions inscribed the state-form in time and space, thus presenting historical processes as natural \u201cgivens.\u201d
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