This book, first published in 1984, is the third volume of Peter Williams' important reference work, The Organ Music of J. S. Bach. In this volume, Peter Williams lays before the reader the salient points that serve as an appropriate bckground to the pieces: notes on the church services of the area in question (Thuringia - Saxony), the fitful tradition of recitals, the duties of organists, the composer's indebtedness to former and contemporary styles in music, his knowledge of organs, the relevance (often over-valued today) of theorists, details of the instruments he was acquainted with and…mehr
This book, first published in 1984, is the third volume of Peter Williams' important reference work, The Organ Music of J. S. Bach. In this volume, Peter Williams lays before the reader the salient points that serve as an appropriate bckground to the pieces: notes on the church services of the area in question (Thuringia - Saxony), the fitful tradition of recitals, the duties of organists, the composer's indebtedness to former and contemporary styles in music, his knowledge of organs, the relevance (often over-valued today) of theorists, details of the instruments he was acquainted with and what can be assumed about the way they were registered and played. Throughout, the author has aimed to present a background to this music and its playing and has avoided stepping into areas of high conjecture, such as chronology or how specific pieces are to be played.
Peter Williams (1937-2016) was an internationally renowned Bach scholar and performer. He held the first Chair in Performance Practice in Britain at the University of Edinburgh, where he was Director of the Russell Collection of Harpsichords and latterly Dean of Music. He was also the first Arts and Sciences Distinguished Chair at Duke University, North Carolina. He was the author of many books, including Bach, Handel, Scarlatti 1685-1985 (Cambridge, 1985), The Life of Bach (Cambridge, 2003) and J. S. Bach: A Life in Music (Cambridge, 2007).
Inhaltsangabe
Preface Maps Part I. The Music in Service and Recital: 1. The order of services 2. Hymns, hymnbooks and singing 3. Organ chorales as preludes 4. Organ chorales as and with interludes 5. The duties of organists 6. Organist-trials 7. Recitals Part II. The Music and its Composition: 8. The arts of composing or improvising organ chorales 9. Affektenlehre, rhetoric and 'symbolism' 10. Figurenlehre as a background to composition 11. Italian influences 12. French influences 13. Niedt's and Mattheson's praeludia 14. Influences on the preludes and fugues: further remarks 15. Bicinia Part III. The Music and its Organ: 16. The 'Bach organ' 17. J. S. Bach's organ reports 18. Registration 19. Organo pleno 20. Two manuals 21. Temperament questions 22. Harpsichord questions 23. The Music and its Performance: 23. Certain details of performance: articulation and legato 24. Fingering 25. Ornaments 26. Certain details of performance: finals, fermatas and repeats 27. Pedals and pedalling 28. Three-stave notation Additions and corrections: Volume i Volume II Notes on MSS cited List of references Index of names Index of BWV works cited Title index of BWV numbers in volumes I-III.
Preface Maps Part I. The Music in Service and Recital: 1. The order of services 2. Hymns, hymnbooks and singing 3. Organ chorales as preludes 4. Organ chorales as and with interludes 5. The duties of organists 6. Organist-trials 7. Recitals Part II. The Music and its Composition: 8. The arts of composing or improvising organ chorales 9. Affektenlehre, rhetoric and 'symbolism' 10. Figurenlehre as a background to composition 11. Italian influences 12. French influences 13. Niedt's and Mattheson's praeludia 14. Influences on the preludes and fugues: further remarks 15. Bicinia Part III. The Music and its Organ: 16. The 'Bach organ' 17. J. S. Bach's organ reports 18. Registration 19. Organo pleno 20. Two manuals 21. Temperament questions 22. Harpsichord questions 23. The Music and its Performance: 23. Certain details of performance: articulation and legato 24. Fingering 25. Ornaments 26. Certain details of performance: finals, fermatas and repeats 27. Pedals and pedalling 28. Three-stave notation Additions and corrections: Volume i Volume II Notes on MSS cited List of references Index of names Index of BWV works cited Title index of BWV numbers in volumes I-III.
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