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From the author of My Phantoms and First Love, a droll and quietly evocative novel about work, friendship, family, and the path--so often muddled--toward finding one's place in life. In The Palm House, Laura's long friendship with Edmund Putnam is tested when he resigns from Sequence magazine--one of the few places he has ever felt he belonged. Putnam repines. His sweet-natured father has recently died, which has not improved his mood. Meanwhile Laura's relentlessly "outward-facing" mother is still at large and toting a new boyfriend as if he were a marotte. Laura, too, needs a new job, and a…mehr

Produktbeschreibung
From the author of My Phantoms and First Love, a droll and quietly evocative novel about work, friendship, family, and the path--so often muddled--toward finding one's place in life. In The Palm House, Laura's long friendship with Edmund Putnam is tested when he resigns from Sequence magazine--one of the few places he has ever felt he belonged. Putnam repines. His sweet-natured father has recently died, which has not improved his mood. Meanwhile Laura's relentlessly "outward-facing" mother is still at large and toting a new boyfriend as if he were a marotte. Laura, too, needs a new job, and a place to live that doesn't have centipedes in the kitchen. Gwendoline Riley's seventh novel explores acceptance and affinity. Young people don't drink anymore but Laura and Putnam are no longer young. Over wine and crisps the pair reflect on what has brought them to where they are. There are memories of childhood package holidays, teenage friendships and obsessions, peculiar love affairs, bad parties. Life is fleeting. Sequence magazine means something, but what? Might Putnam plot a return? The Palm House looks at what it means to find, understand, and accept where one fits.
Autorenporträt
Gwendoline Riley was born in London in 1979. She is the author of My Phantoms, which was shortlisted for the Rathbones Folio Prize and longlisted for the Gordon Burn Prize; of First Love, shortlisted for the Women's Prize for fiction, the Goldsmiths Prize, the Dylan Thomas Prize, the Gordon Burn Prize and the James Tait Black Memorial Prize, and won the Geoffrey Faber Memorial Prize for fiction; and of Cold Water, Sick Notes, Joshua Spassky, and Opposed Positions. She has also won a Betty Trask Award and a Somerset Maugham Award, and has been shortlisted for the John Llewellyn Rhys Prize. In 2018, The Times Literary Supplement named her as one of the twenty best British and Irish novelists working today.