This ground-breaking work draws upon the authors interviews with leading postmodern artists, including Baudrillard, Beckett, Cage and Glass. It offers a challenging and positive view of postmodern culture.
This ground-breaking work draws upon the authors interviews with leading postmodern artists, including Baudrillard, Beckett, Cage and Glass. It offers a challenging and positive view of postmodern culture.
Preface Acknowledgments Anti-Art or Ante-Art? Monumental Art or Submonumental Art? Eagleton and the Apocalyptic Fallacy Introducing the B-Effect Introducing the C-Effect Deploring/Exploring Hyperspace: Jameson and Cage Stupefaction or Enlivenment? Benjamin and the Loss of Aura Barthes Belsey and the Death of the Author Bürger and the Death of the Avant-Garde Bonito-Oliva Baudrillard and the Collapse of the New Beckett Brecht and the Attractions of Antinarrative Beckett's Poetics of Failure/Brecht's Poetics of Interrogation Beckett Brecht and the Groan of the Text Warhol and the Grin of the Text Eagleton Jameson and Dehistoricized Culture Cage Kostelanetz and Value Judgments Jameson Rauschenberg and Premature Exasperation Cage Rauschenberg and Ryman Cage and Consumption Collective Narrative and the Struggle with Simulacra Depersonalized Culture or Repersonalized Culture? Cage and the Antilogic of the Text Beckett Cage and Nothing Beckett Cage and Programmatic Composition Purposeful Purposelessness or Nothing to Be Done? Jameson Bourdieu and the Destruction of Art and Taste Chion Cage and New Aesthetic Rationales Postmodernism's Purist Aesthetic Postmodernism's Hybrid Aesthetic Feldman Crazy Contradiction and the Conceptual Artistic Life Pure "H"-Habermas and Communicative Rationality Beuys Adorno and the Silence of Marcel Duchamp Beuys Cage Buchloh and the B-B-Effect Jappe Jameson and the Concept of Utopia Bense Concrete Poetry and the Dwindling of the Poetic Element Chopin Human Vitality and Technological Civilization Conz and the New Saints of the Avant-Garde A Problem in Design: Lax and Mann Postmodernism at Two Speeds: Hassan Janco and Seuphor Rainer Robbe-Grillet Reich and the Turn to Interobjectivity Robbe-Grillet and the Re-turn to the Subjective Type of Writing Rainer and the Re-turn to Identity Reich and the Re-turn to Historical Realities Multimedia Art in the Age of Mechanical Reproduction: Gaburo and Ashley Monk and the Re-turn to Recurrence Umberto Eco and the Re-turn to the Middle Ages Grass and the Destruction of Mankind Grass Mann and the Re-turn to Forbidden Literature Ernst Carrington and the Re-turn of Surrealism Carrington Cage Beuys and the Poetics of Resistance Cage Carrington Barthes Burroughs Bense: From Artha to Moksha Cage Wolf and the Re-turn to the Third Alternative Wolf Mann and the Authority of Literary Genres Müller Beuys and the Elevation of the Berlin Wall Müller Brecht and the Petrification of Hope Müller Wilson and the Re-turn to the Classics Huyssen and the Endgame of the Avant-Garde Huyssen Popper and the Electrification of the Avant-Garde Buñuel Breton Benjamin Baudrillard and the Myths of Mechanical Depersonalization DeLillo Müller Lyotard Kroker and the Panic Sensibility Ballard The Kindness of Women and Catharsis Beyond the Disappearance of Value: Anderson and Acker Toward Effective Communication: Kruger and Holzer Appropriation Neutralization and Reconciliation: Tillers and Johnson Independent Internationalism: Finlay and Lax Anderson and American Active Freedom Glass and Wilson: Alienation Effect or Empathy Effect? Burroughs Walker and the Pattern of Chaos Beckett Warrilow and the Clarity of Spirit Considered in Diagrammatic Summary: The Phases of Postmodernism The Modes of Modernism and Postmodernism Baudrillard or Cage? Degeneration or Affirmation? Burt Wendt and the Positive Parameters of Postmodernism Index
Preface Acknowledgments Anti-Art or Ante-Art? Monumental Art or Submonumental Art? Eagleton and the Apocalyptic Fallacy Introducing the B-Effect Introducing the C-Effect Deploring/Exploring Hyperspace: Jameson and Cage Stupefaction or Enlivenment? Benjamin and the Loss of Aura Barthes Belsey and the Death of the Author Bürger and the Death of the Avant-Garde Bonito-Oliva Baudrillard and the Collapse of the New Beckett Brecht and the Attractions of Antinarrative Beckett's Poetics of Failure/Brecht's Poetics of Interrogation Beckett Brecht and the Groan of the Text Warhol and the Grin of the Text Eagleton Jameson and Dehistoricized Culture Cage Kostelanetz and Value Judgments Jameson Rauschenberg and Premature Exasperation Cage Rauschenberg and Ryman Cage and Consumption Collective Narrative and the Struggle with Simulacra Depersonalized Culture or Repersonalized Culture? Cage and the Antilogic of the Text Beckett Cage and Nothing Beckett Cage and Programmatic Composition Purposeful Purposelessness or Nothing to Be Done? Jameson Bourdieu and the Destruction of Art and Taste Chion Cage and New Aesthetic Rationales Postmodernism's Purist Aesthetic Postmodernism's Hybrid Aesthetic Feldman Crazy Contradiction and the Conceptual Artistic Life Pure "H"-Habermas and Communicative Rationality Beuys Adorno and the Silence of Marcel Duchamp Beuys Cage Buchloh and the B-B-Effect Jappe Jameson and the Concept of Utopia Bense Concrete Poetry and the Dwindling of the Poetic Element Chopin Human Vitality and Technological Civilization Conz and the New Saints of the Avant-Garde A Problem in Design: Lax and Mann Postmodernism at Two Speeds: Hassan Janco and Seuphor Rainer Robbe-Grillet Reich and the Turn to Interobjectivity Robbe-Grillet and the Re-turn to the Subjective Type of Writing Rainer and the Re-turn to Identity Reich and the Re-turn to Historical Realities Multimedia Art in the Age of Mechanical Reproduction: Gaburo and Ashley Monk and the Re-turn to Recurrence Umberto Eco and the Re-turn to the Middle Ages Grass and the Destruction of Mankind Grass Mann and the Re-turn to Forbidden Literature Ernst Carrington and the Re-turn of Surrealism Carrington Cage Beuys and the Poetics of Resistance Cage Carrington Barthes Burroughs Bense: From Artha to Moksha Cage Wolf and the Re-turn to the Third Alternative Wolf Mann and the Authority of Literary Genres Müller Beuys and the Elevation of the Berlin Wall Müller Brecht and the Petrification of Hope Müller Wilson and the Re-turn to the Classics Huyssen and the Endgame of the Avant-Garde Huyssen Popper and the Electrification of the Avant-Garde Buñuel Breton Benjamin Baudrillard and the Myths of Mechanical Depersonalization DeLillo Müller Lyotard Kroker and the Panic Sensibility Ballard The Kindness of Women and Catharsis Beyond the Disappearance of Value: Anderson and Acker Toward Effective Communication: Kruger and Holzer Appropriation Neutralization and Reconciliation: Tillers and Johnson Independent Internationalism: Finlay and Lax Anderson and American Active Freedom Glass and Wilson: Alienation Effect or Empathy Effect? Burroughs Walker and the Pattern of Chaos Beckett Warrilow and the Clarity of Spirit Considered in Diagrammatic Summary: The Phases of Postmodernism The Modes of Modernism and Postmodernism Baudrillard or Cage? Degeneration or Affirmation? Burt Wendt and the Positive Parameters of Postmodernism Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
