Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nomina
Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nomina
Steven M. Sanders is emeritus erofessor of ehilosophy at Bridgewater State University. He is the editor of The Philosophy of Science Fiction Film and the coeditor of The Philosophy of TV Noir. Aeon J. Skoble is professor of philosophy at Bridgewater State University and a senior fellow at the Fraser Institute. He is the author or editor of numerous books, including Deleting the State: An Argument about Government and Reading Rasmussen and Den Uyl: Critical Essays on Norms of Liberty. R. Barton Palmer is the Calhoun Lemon Professor of Literature at Clemson University, where he also directs the film studies program. He is the coeditor of The Philosophy of Steven Soderbergh.
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