The Plume and the Palette is dedicated to Josephine von Henneberg. A scholar of Italian Renaissance and Baroque art and architecture, Dr. von Henneberg's distinguished career spanned nearly four decades. The essays in this volume, ranging from Antiquity to the present, touch on many of Dr. von Henneberg's interests, especially architecture and art in Italy. They treat issues as diverse as Medievalism in modern architecture, Michelangelo's poetry, and political meaning in Italian cinema. Artists have contributed drawings, paintings, and photographs whose connections to Italian themes are…mehr
The Plume and the Palette is dedicated to Josephine von Henneberg. A scholar of Italian Renaissance and Baroque art and architecture, Dr. von Henneberg's distinguished career spanned nearly four decades. The essays in this volume, ranging from Antiquity to the present, touch on many of Dr. von Henneberg's interests, especially architecture and art in Italy. They treat issues as diverse as Medievalism in modern architecture, Michelangelo's poetry, and political meaning in Italian cinema. Artists have contributed drawings, paintings, and photographs whose connections to Italian themes are elucidated by the artists themselves. It is with profound gratitude and in acknowledgment of the inspiration Josephine von Henneberg has provided that this volume has been prepared by her friends and colleagues.
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Autorenporträt
The Editors: Pamela Berger is Professor of Art History at Boston College. She is the author of The Insignia of the 'Notitia Dignitatum' and The Goddess Obscured. She is also the writer, producer, and/or director of three feature films: Sorceress, The Imported Bridegroom, and The Magic Stone. Jeffery Howe is Associate Professor of Art History at Boston College. He is the author of The Symbolist Art of Fernand Khnopff, associate editor of the journal Religion and the Arts, and editor of the exhibition catalog Edvard Munch: Psyche, Symbol and Expression. Susan A. Michalczyk is Adjunct Assistant Professor at Boston College. Her articles include studies of Dante and Ugo Foscolo. At present she is writing a book on autobiographies of women authors.
Inhaltsangabe
Contents: Pamela Berger: Sculpted Body Parts from Ancient Healing Sanctuaries in Greece, Italy and Gaul - Alessandro Cecchi: Jacopo Zucchi 'à la manière de' Giorgio Vasari: il ritratto de gentildonna del Metropolitan Museum - Claude Cernuschi: The Application of Psychoanalysis to the Humanities: Science or Hermeneutics? - Liana de Girolami Cheney: The Ovidian Agony of Love in Renaissance Art - Jeffery Howe: (Re)Cycling: Medievalism in Nineteenth and Twentieth Century Architecture - John Michalczyk: Inspiration for the Partisan Priest in Rossellini's 'Open City' (1945) - Susan A. Michalczyk: Etchings on a Soul: Michelangelo's Florentine Poetry (1520-1532) - Katherine Nahum: Simandl's Caryatids and Hoffmann's Stoclet Tower - Franco Paliaga: L'architettura del Principe, 'Dux e Pius': I 'sontuosi' progetti di Giorgio Vasari per la chiesa dell'Ordine dei Cavalieri di Santo Stefano in Pisa - Paolo Squatriti: Patrons, Landscape, and Potlatch: The Cases of Bulgaria and England in the Early Middle Ages - Cornelius Vermeule: A Greek Saint in Late Renaissance Italy - Mary Armstrong: Appropriating Giotto's Chapel - Aileen Callahan: Dante's Heads - Alston Conley: Drawing from the Italian Masters - Mark Cooper: Of Two Minds - Charles A. Meyer: Restorative Justice, not Retributive Justice - John Steczynski: On Envisioning the 'Book of Revelation': Text, Context and Image - Andrew Tavarelli: Udine at the Assumption.
Contents: Pamela Berger: Sculpted Body Parts from Ancient Healing Sanctuaries in Greece, Italy and Gaul - Alessandro Cecchi: Jacopo Zucchi 'à la manière de' Giorgio Vasari: il ritratto de gentildonna del Metropolitan Museum - Claude Cernuschi: The Application of Psychoanalysis to the Humanities: Science or Hermeneutics? - Liana de Girolami Cheney: The Ovidian Agony of Love in Renaissance Art - Jeffery Howe: (Re)Cycling: Medievalism in Nineteenth and Twentieth Century Architecture - John Michalczyk: Inspiration for the Partisan Priest in Rossellini's 'Open City' (1945) - Susan A. Michalczyk: Etchings on a Soul: Michelangelo's Florentine Poetry (1520-1532) - Katherine Nahum: Simandl's Caryatids and Hoffmann's Stoclet Tower - Franco Paliaga: L'architettura del Principe, 'Dux e Pius': I 'sontuosi' progetti di Giorgio Vasari per la chiesa dell'Ordine dei Cavalieri di Santo Stefano in Pisa - Paolo Squatriti: Patrons, Landscape, and Potlatch: The Cases of Bulgaria and England in the Early Middle Ages - Cornelius Vermeule: A Greek Saint in Late Renaissance Italy - Mary Armstrong: Appropriating Giotto's Chapel - Aileen Callahan: Dante's Heads - Alston Conley: Drawing from the Italian Masters - Mark Cooper: Of Two Minds - Charles A. Meyer: Restorative Justice, not Retributive Justice - John Steczynski: On Envisioning the 'Book of Revelation': Text, Context and Image - Andrew Tavarelli: Udine at the Assumption.
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