Stephen Westland is Professor of Color Science and Technology in the School of Design at the University of Leeds (UK). He was previously Head of the School of Design at Leeds (2006–2013). His research interests are color design, color vision, and color measurement and he has published over 250 peer-reviewed papers, book chapters, and books about these topics. He is a Fellow of the Society of Dyers and Colourists and was President of the Society in 2019. In 2008 he was awarded the Davies Medal from the Royal Photographic Society (London) for his color research. He has won numerous research grants from both government and industry and has recently worked with AkzoNobel, Colgate, and Unilever on color-related projects. He holds several visiting professorships, including at the University of Texas (USA) and Huazhong University of Science and Technology in Wuhan (China). Maggie Maggio is a designer, artist, and art educator who has studied, taught, and worked with color for over forty years. Her personal explorations into the science of light and pigments led to the creation of workshops for artists and designers who want to incorporate the latest research in color science into their creative practice. As a member of the Board of Directors of the US Inter-Society Color Council (ISCC) and co-chair of the International Color Association Study Group on Color Education, Maggie focuses on bridging between the art, science, and industry of color and advancing color literacy for the twenty-first century. She is the current chair of the Joint International Color Association/ISCC Color Literacy Project advocating for the integration of art and science in color education programs worldwide.
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Introduction 8 01 #TheDress 10 02 Accessibility . 12 03 Additive Mixture . 14 04 Advancing and Receding 16 05 Albers’s Interaction of Color . . 18 06 Atmospheric Perspective . 20 07 Balance . 22 08 Basic Color Terms 24 09 Bauhaus . 26 10 Bezold Effect 28 11 Black and White 30 12 Blue Light . 32 13 Brand Colors 34 14 Camouflage . 36 15 Character Zones 38 16 Chemistry of Chromophores . 40 17 Chiaroscuro 42 18 Chroma . 44 19 Chromophobia 46 20 CIE System . 48 21 Cinematic Color . 50 22 CMYK 52 23 Color Constancy 54 24 Color Field Painting . 56 25 Color Forecasting 58 26 Color Literacy . 60 27 Color Management . 62 28 Color Meaning . 64 29 Color Measurement . 66 30 Color Order Systems . 68 31 Color Scales 70 32 Color Schemes . 72 33 Color Temperature 74 34 Colorants 76 35 Colorways 78 36 Complementary Colors 80 37 Context . 82 38 Contrast 84 39 Electromagnetic Spectrum 86 40 Emotion and Color 88 41 Environmental Color Design 90 42 Flat Color 92 43 Fluorescence . 94 44 Gamuts . 96 45 Geography of Color . 98 46 Goethe’s Theory of Colours . 100 47 Gradients . 102 48 Grisaille 104 49 Harmony 106 50 Hue Angle 108 51 Hue Circle . 110 52 Human Visual System . 112 53 Impressionism . 114 54 Infographic Color . 116 55 International Klein Blue 118 56 Itten’s The Art of Color 120 57 LED Color 122 58 Lighting . 124 59 Lightness 126 60 Limited Color Vision 128 61 Local Color . 130 62 Maxwell 132 63 Metamerism 134 64 Monochromatic 136 65 Munsell System . 138 66 Natural Color System 140 67 Nature’s Light 142 68 Near Neutrals 144 69 Newton’s Opticks 146 70 Op Art . 148 71 Palettes . 150 72 Pantone 152 73 Partitive Mixture . 154 74 Perception Triangle . 156 75 Permanence 158 76 Pointillism 160 77 Primary Colors . 162 78 Rayleigh Scattering . 164 79 RGB . 166 80 Safety Colors 168 81 Shadows . 170 82 Simultaneous Contrast . 172 83 Spectral Hues . 174 84 Structural Color . 176 85 Subtractive Mixture 178 86 Successive Contrast 180 87 Sustainable Color 182 88 Symbolic Color . . . . . . . . . . . . 184 89 Synesthesia 186 90 Technicolor 188 91 Texture . 190 92 Three Dimensions of Color 192 93 Tint, Shade, and Tone . 194 94 Traditional Color Theory 196 95 Transparency Effect 198 96 Trichromacy . 200 97 Undertone . 202 98 Unique Hues 204 99 Warm and Cool . 206 100 White Balance . 208 Acknowledgments 210 About the Authors . 212 Photo Credits 214
