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This authoritative study considers contemporary policies for the arts in France and the cultural and political issues they have raised. The author concentrates particularly on the seminal Mitterrand years but also disentangles the various influences which marked them. Analyzing the role of the ever more powerful Ministry of Culture, he traces the gradual shift from the democratization of high culture, adopted as a quasi-religious crusade during the De Gaulle era, to the aesthetic relativism and 'fun' culture which became the trademark of the department during the 1980s and 1990s. He also…mehr

Produktbeschreibung
This authoritative study considers contemporary policies for the arts in France and the cultural and political issues they have raised. The author concentrates particularly on the seminal Mitterrand years but also disentangles the various influences which marked them. Analyzing the role of the ever more powerful Ministry of Culture, he traces the gradual shift from the democratization of high culture, adopted as a quasi-religious crusade during the De Gaulle era, to the aesthetic relativism and 'fun' culture which became the trademark of the department during the 1980s and 1990s. He also examines wider debates about the relationship between culture, society and the state.
Autorenporträt
David L. Looseley is Emeritus Professor of Contemporary French Culture at the University of Leeds. He writes on the popular music, culture and cultural policy of France, including Édith Piaf: A Cultural History (2015), joint winner of the Franco-British Society Literary Prize, and Popular Music in Contemporary France: Authenticity, Politics, Debate (2003). He was contributing editor (with Diana Holmes) of Imagining the Popular in Contemporary French Culture (2013). He is Chevalier dans l'Ordre des Palmes Académiques.