"A brilliant collection of essays on popular music festival culture as a whole, from its origins to a wide range of contemporary manifestations"--Provided by publisher.
"A brilliant collection of essays on popular music festival culture as a whole, from its origins to a wide range of contemporary manifestations"--Provided by publisher.
Acknowledgements Picture credits Contributors Introduction George McKay Chapter 1. 'The pose . is a stance': popular music and the cultural politics of festival in 1950s Britain George McKay Chapter 2 Out of sight: the mediation of the music festival Mark Goodall Chapter 3 'Let there be rock!' Myth and ideology in the rock festivals of the transatlantic counterculture Nicholas Gebhardt Chapter 4 'As real as real can get': race, representation, and rhetoric at Wattstax, 1972 Gina Arnold Chapter 5 The artist at the music festival: art, performance and hybridity Rebekka Kill Chapter 6 Photo-essay: Free festivals, new travellers, and the free party scene in Britain, 1981-1992 Alan Lodge Chapter 7 Festival bodies: the corporeality of the contemporary music festival scene in Australia Joanne Cummings and Jacinta Herborn Chapter 8 The Love Parade: European techno, the EDM festival, and the tragedy in Duisburg Sean Nye and Ronald Hitzler Chapter 9 Protestival: global days of action and carnivalised politics at the turn of the millennium Graham St John Chapter 10 Alternative playworlds: psytrance festivals, deep play and creative zones of transcendence Alice O'Grady Chapter 11 No Spectators! The art of participation, from Burning Man to boutique festivals in Britain Roxanne Robinson Chapter 12 Musicking in Motor City: reconfiguring urban space at the Detroit Jazz Festival Anne Dvinge Chapter 13 Branding, sponsorship, and the music festival Chris Anderton Chapter 14 Everybody talk about pop music: Un-Convention as alternative to festival, from DIY music to social change Andrew Dubber Index
Acknowledgements Picture credits Contributors Introduction George McKay Chapter 1. 'The pose . is a stance': popular music and the cultural politics of festival in 1950s Britain George McKay Chapter 2 Out of sight: the mediation of the music festival Mark Goodall Chapter 3 'Let there be rock!' Myth and ideology in the rock festivals of the transatlantic counterculture Nicholas Gebhardt Chapter 4 'As real as real can get': race, representation, and rhetoric at Wattstax, 1972 Gina Arnold Chapter 5 The artist at the music festival: art, performance and hybridity Rebekka Kill Chapter 6 Photo-essay: Free festivals, new travellers, and the free party scene in Britain, 1981-1992 Alan Lodge Chapter 7 Festival bodies: the corporeality of the contemporary music festival scene in Australia Joanne Cummings and Jacinta Herborn Chapter 8 The Love Parade: European techno, the EDM festival, and the tragedy in Duisburg Sean Nye and Ronald Hitzler Chapter 9 Protestival: global days of action and carnivalised politics at the turn of the millennium Graham St John Chapter 10 Alternative playworlds: psytrance festivals, deep play and creative zones of transcendence Alice O'Grady Chapter 11 No Spectators! The art of participation, from Burning Man to boutique festivals in Britain Roxanne Robinson Chapter 12 Musicking in Motor City: reconfiguring urban space at the Detroit Jazz Festival Anne Dvinge Chapter 13 Branding, sponsorship, and the music festival Chris Anderton Chapter 14 Everybody talk about pop music: Un-Convention as alternative to festival, from DIY music to social change Andrew Dubber Index
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