A study of the confluences between liberal white Americans' trauma, their reverting to hyper-conservative Islamophobia, and Don DeLillo's call to American authors that they compose a new so-called 'Great American Novel' pluriverse in the wake of 9/11.
A study of the confluences between liberal white Americans' trauma, their reverting to hyper-conservative Islamophobia, and Don DeLillo's call to American authors that they compose a new so-called 'Great American Novel' pluriverse in the wake of 9/11.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: New Connections to the American Project in Early Post-9/11 Literature 1. Creating Monsters Out of Trauma: The Failed Repression of Muslims and Islam in Extremely Loud & Incredibly Close 2. Americanizing 9/11: Appropriating and Repurposing Islamic Signifiers in Don DeLillo's Falling Man 3. Losing Their Religion: Enforced Secularization in John Updike's Terrorist 4. Not Exceptional Enough: The Occlusion of Muslims and the Quran in Amy Waldman's The Submission Conclusion: The Ultimate End, and the Limits of the Post-9/11 Great American Novel Bibliography Index
Introduction: New Connections to the American Project in Early Post-9/11 Literature 1. Creating Monsters Out of Trauma: The Failed Repression of Muslims and Islam in Extremely Loud & Incredibly Close 2. Americanizing 9/11: Appropriating and Repurposing Islamic Signifiers in Don DeLillo's Falling Man 3. Losing Their Religion: Enforced Secularization in John Updike's Terrorist 4. Not Exceptional Enough: The Occlusion of Muslims and the Quran in Amy Waldman's The Submission Conclusion: The Ultimate End, and the Limits of the Post-9/11 Great American Novel Bibliography Index
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