The Power of Touch
Handling Objects in Museum and Heritage Context
Herausgeber: Pye, Elizabeth
The Power of Touch
Handling Objects in Museum and Heritage Context
Herausgeber: Pye, Elizabeth
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Contributors to this volume explore how the sense of touch can be utilized in museums and other cultural institutions to facilitate understanding and learning.
Andere Kunden interessierten sich auch für
- Touching Space, Placing Touch209,99 €
- R. SimonThe Touch of the Past46,99 €
- Nina BøA Human Touch Across the Hall33,99 €
- The Making of Heritage58,99 €
- Celmara PocockVisitor Encounters with the Great Barrier Reef198,99 €
- Ruth YoungHistorical Archaeology and Heritage in the Middle East198,99 €
- Leslie BedfordThe Art of Museum Exhibitions58,99 €
-
-
-
Contributors to this volume explore how the sense of touch can be utilized in museums and other cultural institutions to facilitate understanding and learning.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 264
- Erscheinungstermin: 28. Februar 2008
- Englisch
- Abmessung: 229mm x 152mm x 14mm
- Gewicht: 388g
- ISBN-13: 9781598743043
- ISBN-10: 159874304X
- Artikelnr.: 23130470
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Routledge
- Seitenzahl: 264
- Erscheinungstermin: 28. Februar 2008
- Englisch
- Abmessung: 229mm x 152mm x 14mm
- Gewicht: 388g
- ISBN-13: 9781598743043
- ISBN-10: 159874304X
- Artikelnr.: 23130470
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Edited by Pye, Elizabeth
chapter0 Introduction: The Power of Touch, Elizabeth Pye; Part 1 Science of
Touch; Chapter 1 Weighing Up the Value of Touch, Alan Wing, Christos
Giachritsis, Roberta Roberts; Chapter 2 Making Sense of Touch: A
Multisensory Approach to the Perception of Objects, Charles Spence; Part 2
History Of Touch; Chapter 3 Archaeology of Touch: Babylonian Magic and
Healing, Mark Geller; Chapter 4 For Your Eyes Only? the Magic Touch of
Relics, Jan Geisbusch; Chapter 5 Don't Touch! Hands off! art, Blindness and
the Conservation of Expertise, Fiona Candlin; Part 3 Professional Touch;
Chapter 6 Exploring the Role of Touch in Connoisseurship and the
Identification of Objects, Sally MacDonald; Chapter 7 Understanding
Objects: The Role of Touch in Conservation, Elizabeth Pye; Part 4 Touch and
Memory; Chapter 8 The Elderly as 'Curators' in North London, Michael
Rowlands; Chapter 9 Easing the Transition: Using Museum Objects with
Elderly People, Claire Jacques; Part 5 Touch and Memory; Chapter 10 The
Touch Experience in Museums in the UK and Japan, Julia Cassim; Chapter 11
Touching Art, Touching You: Blindart, Sense & Sensuality, Sharareh Khayami;
Chapter 12 Learning Through Touch, Tara Trewinnard-Boyle, Emily Tabassi;
Chapter 13 To Play or Not to Play: Making a Collection of Musical
Instruments Accessible, Andrew Lamb; Chapter 14 Collaborative Touch:
Working with a Community Artist to Restore a Kwakwaka'wakw Mask, Jessica
Johnson; Part 6 Virtual Touch; Chapter 15 Touching Ghosts: Haptic
Technologies in Museums, David Prytherch, Marie Jefsioutine; Chapter 16
Exploring Virtual Touch in the Creative Arts and Conservation, Angela
Geary;
Touch; Chapter 1 Weighing Up the Value of Touch, Alan Wing, Christos
Giachritsis, Roberta Roberts; Chapter 2 Making Sense of Touch: A
Multisensory Approach to the Perception of Objects, Charles Spence; Part 2
History Of Touch; Chapter 3 Archaeology of Touch: Babylonian Magic and
Healing, Mark Geller; Chapter 4 For Your Eyes Only? the Magic Touch of
Relics, Jan Geisbusch; Chapter 5 Don't Touch! Hands off! art, Blindness and
the Conservation of Expertise, Fiona Candlin; Part 3 Professional Touch;
Chapter 6 Exploring the Role of Touch in Connoisseurship and the
Identification of Objects, Sally MacDonald; Chapter 7 Understanding
Objects: The Role of Touch in Conservation, Elizabeth Pye; Part 4 Touch and
Memory; Chapter 8 The Elderly as 'Curators' in North London, Michael
Rowlands; Chapter 9 Easing the Transition: Using Museum Objects with
Elderly People, Claire Jacques; Part 5 Touch and Memory; Chapter 10 The
Touch Experience in Museums in the UK and Japan, Julia Cassim; Chapter 11
Touching Art, Touching You: Blindart, Sense & Sensuality, Sharareh Khayami;
Chapter 12 Learning Through Touch, Tara Trewinnard-Boyle, Emily Tabassi;
Chapter 13 To Play or Not to Play: Making a Collection of Musical
Instruments Accessible, Andrew Lamb; Chapter 14 Collaborative Touch:
Working with a Community Artist to Restore a Kwakwaka'wakw Mask, Jessica
Johnson; Part 6 Virtual Touch; Chapter 15 Touching Ghosts: Haptic
Technologies in Museums, David Prytherch, Marie Jefsioutine; Chapter 16
Exploring Virtual Touch in the Creative Arts and Conservation, Angela
Geary;
chapter0 Introduction: The Power of Touch, Elizabeth Pye; Part 1 Science of
Touch; Chapter 1 Weighing Up the Value of Touch, Alan Wing, Christos
Giachritsis, Roberta Roberts; Chapter 2 Making Sense of Touch: A
Multisensory Approach to the Perception of Objects, Charles Spence; Part 2
History Of Touch; Chapter 3 Archaeology of Touch: Babylonian Magic and
Healing, Mark Geller; Chapter 4 For Your Eyes Only? the Magic Touch of
Relics, Jan Geisbusch; Chapter 5 Don't Touch! Hands off! art, Blindness and
the Conservation of Expertise, Fiona Candlin; Part 3 Professional Touch;
Chapter 6 Exploring the Role of Touch in Connoisseurship and the
Identification of Objects, Sally MacDonald; Chapter 7 Understanding
Objects: The Role of Touch in Conservation, Elizabeth Pye; Part 4 Touch and
Memory; Chapter 8 The Elderly as 'Curators' in North London, Michael
Rowlands; Chapter 9 Easing the Transition: Using Museum Objects with
Elderly People, Claire Jacques; Part 5 Touch and Memory; Chapter 10 The
Touch Experience in Museums in the UK and Japan, Julia Cassim; Chapter 11
Touching Art, Touching You: Blindart, Sense & Sensuality, Sharareh Khayami;
Chapter 12 Learning Through Touch, Tara Trewinnard-Boyle, Emily Tabassi;
Chapter 13 To Play or Not to Play: Making a Collection of Musical
Instruments Accessible, Andrew Lamb; Chapter 14 Collaborative Touch:
Working with a Community Artist to Restore a Kwakwaka'wakw Mask, Jessica
Johnson; Part 6 Virtual Touch; Chapter 15 Touching Ghosts: Haptic
Technologies in Museums, David Prytherch, Marie Jefsioutine; Chapter 16
Exploring Virtual Touch in the Creative Arts and Conservation, Angela
Geary;
Touch; Chapter 1 Weighing Up the Value of Touch, Alan Wing, Christos
Giachritsis, Roberta Roberts; Chapter 2 Making Sense of Touch: A
Multisensory Approach to the Perception of Objects, Charles Spence; Part 2
History Of Touch; Chapter 3 Archaeology of Touch: Babylonian Magic and
Healing, Mark Geller; Chapter 4 For Your Eyes Only? the Magic Touch of
Relics, Jan Geisbusch; Chapter 5 Don't Touch! Hands off! art, Blindness and
the Conservation of Expertise, Fiona Candlin; Part 3 Professional Touch;
Chapter 6 Exploring the Role of Touch in Connoisseurship and the
Identification of Objects, Sally MacDonald; Chapter 7 Understanding
Objects: The Role of Touch in Conservation, Elizabeth Pye; Part 4 Touch and
Memory; Chapter 8 The Elderly as 'Curators' in North London, Michael
Rowlands; Chapter 9 Easing the Transition: Using Museum Objects with
Elderly People, Claire Jacques; Part 5 Touch and Memory; Chapter 10 The
Touch Experience in Museums in the UK and Japan, Julia Cassim; Chapter 11
Touching Art, Touching You: Blindart, Sense & Sensuality, Sharareh Khayami;
Chapter 12 Learning Through Touch, Tara Trewinnard-Boyle, Emily Tabassi;
Chapter 13 To Play or Not to Play: Making a Collection of Musical
Instruments Accessible, Andrew Lamb; Chapter 14 Collaborative Touch:
Working with a Community Artist to Restore a Kwakwaka'wakw Mask, Jessica
Johnson; Part 6 Virtual Touch; Chapter 15 Touching Ghosts: Haptic
Technologies in Museums, David Prytherch, Marie Jefsioutine; Chapter 16
Exploring Virtual Touch in the Creative Arts and Conservation, Angela
Geary;