This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Arthur Hornblow (1865-1942) was a British-born playwright and editor who became well-known for his work in the theatre. Born in Manchester, United Kingdom, Hornblow moved to the United States, where he made significant contributions to the Broadway stage. As an editor for Theatre Magazine, he was closely involved in the theatre community and wrote several successful plays. In addition to his work as a playwright, Hornblow's individual plays earned recognition for their engaging narratives and dramatic flair. He also had a hand in writing and editing for the broader theatre industry, influencing both the creation and direction of numerous productions. Hornblow's career spanned several decades, and his impact on American theatre was notable during the early 20th century. He passed away in 1942 in Asbury Park, New Jersey, leaving behind a legacy of works that contributed to the cultural fabric of the era. His son, Arthur Hornblow Jr., continued the family's artistic legacy.
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