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David Herbert Lawrence (1885-1930) expected The Rainbow to cause a stir. In a characteristically open exploration of sensual and explicit themes, the novel traces more than sixty years of pre-war life and three generations of the Brangwen family. Employing language infused with the rich imagery and repetition of biblical texts to treat all subjects - from the green fields and empty skies of the Brangwen farm through to Ursula's encounter with a female schoolteacher - Lawrence took an assuredly striking approach. However, he was unprepared for the vitriolic attacks of his reviewers. The novel…mehr

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Produktbeschreibung
David Herbert Lawrence (1885-1930) expected The Rainbow to cause a stir. In a characteristically open exploration of sensual and explicit themes, the novel traces more than sixty years of pre-war life and three generations of the Brangwen family. Employing language infused with the rich imagery and repetition of biblical texts to treat all subjects - from the green fields and empty skies of the Brangwen farm through to Ursula's encounter with a female schoolteacher - Lawrence took an assuredly striking approach. However, he was unprepared for the vitriolic attacks of his reviewers. The novel was branded 'utter filth' and 'a mass of obscenity'; it was banned only a month after its publication in 1915, unsold copies being confiscated and destroyed. A second, abridged edition would not appear for another eleven years. Now a landmark in the early modernist canon, the original and unabridged text of 1915 is reissued here.
Autorenporträt
David Herbert Lawrence was born on September 11, 1885. He was not only an important but also disputable English essayist of the 20th century. He was one of the main scholars of English Modernism. Lawrence was a skilled author who wrote several books, brief tales, sonnets, plays, papers, travel guides, artistic creations, interpretations, abstract analyses, and individual letters. Lawrence is remembered today for stretching the boundaries beyond what was regarded as satisfactory in abstract fiction whereas different Modernists such as Joyce and Woolf were content to radicalize the types of writing, Lawrence focused on extending the scope of the artistic topic. Specifically, he consolidated Freudian therapy, forthright portrayals of sexuality, and enchanted strict subjects into his works that were very unexpected and fresh to the crowds of his time. Even though he is regarded as one of the main figures in the early history of Modernism, Lawrence stays questionable. His monstrous result is famously lopsided and he never lived to the point of refining his views into reasonable thoughts. Different pundits mock Lawrence unequivocally and it is the case that a portion of his lesser works was composed more to stun than to illuminate the brain with the brightness of workmanship genuinely. Regardless, Lawrence was a virtuoso of the greatest request, and his most modern sonnets and books are among the most persuasive works of 20th-century writing.