Step into the captivating world of Dieselpunk-a dazzling universe where retro-futuristic dreams roar to life amid gleaming chrome, diesel-powered machines, and the unmistakable style of industrial modernity. In "The Retro-Futurism of Dieselpunk," readers are guided on a mesmerizing visual and intellectual journey, exploring the vibrant history, profound philosophy, distinctive art, and iconic aesthetics of one of science fiction's most intriguing movements. Richly illustrated and deeply engaging, this book traces Dieselpunk's fascinating evolution from its roots in early 20th-century pulp…mehr
Step into the captivating world of Dieselpunk-a dazzling universe where retro-futuristic dreams roar to life amid gleaming chrome, diesel-powered machines, and the unmistakable style of industrial modernity. In "The Retro-Futurism of Dieselpunk," readers are guided on a mesmerizing visual and intellectual journey, exploring the vibrant history, profound philosophy, distinctive art, and iconic aesthetics of one of science fiction's most intriguing movements. Richly illustrated and deeply engaging, this book traces Dieselpunk's fascinating evolution from its roots in early 20th-century pulp fiction and cinema through its growth as a global phenomenon. Discover the genre's unique intersection of elegant Art Deco designs, militarized modernism, daring fashion, and speculative storytelling, all infused with rebellion and imaginative reinvention. More than mere nostalgia, "The Retro-Futurism of Dieselpunk" reveals how creators worldwide continue to use the genre as a potent lens for exploring alternate histories.
Ziggy Quinete is a writer and journalist and the founder of the Gargoyle Collective, a consortium of artists devoted to celebrating and expanding art, history, and literature.In his latest series, Imagined History and Digital Futures, Ziggy explores the defining speculative movements of the 20th century through a bold new lens. This visionary trilogy - encompassing Steampunk, Cyberpunk, and Dieselpunk - reimagines the past, critiques the present, and questions the role of emerging technologies in shaping the future of these genres.
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