The Return of Peter Grimm - Belasco, David
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This play follows the story of a recently deceased man who returns to his former home in order to help his loved ones make peace with their past and move on. The play is a powerful exploration of love, loss, and redemption, and it offers a moving tribute to the enduring power of the human spirit. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this…mehr

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Produktbeschreibung
This play follows the story of a recently deceased man who returns to his former home in order to help his loved ones make peace with their past and move on. The play is a powerful exploration of love, loss, and redemption, and it offers a moving tribute to the enduring power of the human spirit. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Autorenporträt
David Belasco (July 25, 1853 May 14, 1931) was a theater producer, impresario, director, and playwright from the United States. He was the first to stage adapt the short novel Madame Butterfly. Many performers, including James O'Neill, Mary Pickford, Lenore Ulric, and Barbara Stanwyck, had their careers begun by him. In order to achieve realism and authenticity, Belasco pioneered several inventive new techniques of stage lighting and special effects. David Belasco was born in 1853 in San Francisco, California, the son of Sephardic Jews Abraham H. Belasco (1830-1911) and Reyna Belasco (n e Nunes, 1830-1899), who had moved to the United States during the California Gold Rush from London's Spanish and Portuguese Jewish community. As a teenager, he began working in a San Francisco theater doing a range of ordinary tasks such as call boy, script copier, and extra in minor roles. While on the road, he gained his first stage management experience. We used to play in any place we could hire or get into a hall, a big dining room, an empty barn; anywhere that would take us, he explained.