It's 2042 and Australia is more automated than ever before. Janelle, a woman of Cantonese heritage, and her partner Harry, a First Nations man, move back into Janelle's family home after the death of her mother. As they attempt to navigate their work, relationship and job seeking requirements, they find themselves assisted by the quirky AI controlling their home and a robotic therapy dog. Janelle and Harry are quickly swept into a world of augmentations, restrictions and chaos. Does their new hi-tech life help them connect to culture and each other, or does it hinder it? The Robot Dog is an…mehr
It's 2042 and Australia is more automated than ever before. Janelle, a woman of Cantonese heritage, and her partner Harry, a First Nations man, move back into Janelle's family home after the death of her mother. As they attempt to navigate their work, relationship and job seeking requirements, they find themselves assisted by the quirky AI controlling their home and a robotic therapy dog. Janelle and Harry are quickly swept into a world of augmentations, restrictions and chaos. Does their new hi-tech life help them connect to culture and each other, or does it hinder it? The Robot Dog is an intercultural sci-fi comedy with a big, beating heart. A collaboration between Hong Kong-born multidisciplinary artist Roshelle Yee Pui Fong and Luritja writer and technologist Matthew Ngamurarri Heffernan, The Robot Dog is relatable, imaginative and full of humour and humanity.
Roshelle Yee Pui Fong (she/her) is a Hong Kong born multidisciplinary artist who loves writing as healing and intercultural solidarity, and performance text as a vehicle for digital languages. In 2018, she created the award-winning immersive show 'nomnomnom', which was adapted in East Iceland, Shanghai and Sydney, and in 2020 she created an online interactive theatre show 'Thirsty!' (Griffin Theatre, Google Creative Lab). In 2021, Roshelle co-created Green Room Award nominated 'Poona' with Keziah Warner (Next Wave), and in 2022, she was an artist in Creative Australia's Digital Fellowship program, Assistant Director on Melbourne Theatre Company's 'Laurinda' and a writer for 'Cybec Scenes', while completing her Masters of Theatre (Writing) at Victorian College of the Arts and sitting on Melbourne Theatre Company's Artistic Associate panel (2022-24).Roshelle's play '红铅 The Red Lead' (now '秀女 The Elegant Women') won the Bruntwood Playwriting Prize International Award 2022, part of the UK's largest national playwriting competition. She has since developed it with Manchester's Royal Exchange Theatre, as a guest playwright at the 50th Banff Playwrights Lab in Canada, and at Melbourne Theatre Company. Roshelle has also been developing new work in Australian Plays Transform's Mid-Career Playwrights' group, and is an advisor for Contemporary Asian Australian Performance's (CAAP) Artist Reference Group.
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