The Routledge Companion to African Diaspora Art History
Herausgeber: Chambers, Eddie
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The Routledge Companion to African Diaspora Art History
Herausgeber: Chambers, Eddie
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This is an authoritative companion that is global in scope, recognizing the presence of African Diaspora artists across the world. It is a bold and broad reframing of this neglected branch of art history, challenging dominant presumptions about the field.
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This is an authoritative companion that is global in scope, recognizing the presence of African Diaspora artists across the world. It is a bold and broad reframing of this neglected branch of art history, challenging dominant presumptions about the field.
Produktdetails
- Produktdetails
- Routledge Art History and Visual Studies Companions
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 600
- Erscheinungstermin: 31. Oktober 2024
- Englisch
- Abmessung: 252mm x 181mm x 37mm
- Gewicht: 1354g
- ISBN-13: 9781032270319
- ISBN-10: 1032270314
- Artikelnr.: 70290417
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Routledge Art History and Visual Studies Companions
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 600
- Erscheinungstermin: 31. Oktober 2024
- Englisch
- Abmessung: 252mm x 181mm x 37mm
- Gewicht: 1354g
- ISBN-13: 9781032270319
- ISBN-10: 1032270314
- Artikelnr.: 70290417
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Eddie Chambers holds the David Bruton, Jr. Centennial Professorship in Art History in the Department of Art and Art History at the University of Texas at Austin.
Introduction SECTION I Routes and Roots of Global African Diaspora Art
History 1. Stuart Hall and the Framing of Diaspora 2. Towards a History of
LGBTQ+ Contemporary African Art 3. The Diasporic Dimensions of the Harlem
Renaissance 4. To Risk the Sovereignty of Our Own Stories 5. Édouard
Glissant and the Framing of Diaspora 6. HERE and HERE: ÀSÌKÒ and Beyond 7.
South Africa: Destination and Point of Origin 8. From Post-Black to the
Afropolitan: The Studio Museum's 'F-Shows' and Discourses on Black Art 9.
African and Afrodescendant Art Production in Latin America: Research
Challenges and Possibilities 10. The Global Africa Project: Diasporic
Connections, Explorations, and Interactions SECTION II Routes and Roots of
African Diaspora Art History in Europe 11. "[T]heir own kind of light":
Black diasporic Consciousness in the Caribbean Artists Movement (1966-1972)
12. A History of Black Diaspora Artists in Italy 13. Indivisible or
Invisible: Contemporary Artists of African Descent and French
Multiculturalism 14. A History of Black Diaspora Artists in Germany 15. A
Short History of Artists of African-descent in Scandinavia 16. Contemporary
African Art and Artists in Belgium 17. A History of Black Diaspora Artists
in Scotland 18. A History of Black Diaspora Artists in Spain 19.
Transforming the Facade: Black American Artists at the US Pavilion of the
Venice Biennale, 1930-2022 20. East African, South Asian, British Artists
SECTION III Hemispheric Dimensions of African Diaspora Art History 21.
Cartographies of Kinship in the Caribbean Festival of Arts 22. Where
Caribbean Art Ends and Latin American Art Begins 23. Art Biennales in
Africa and the Making of African Diaspora Art History: Perspectives from
the Dak'Art Biennale 24. Visualizing Historical and Contemporary African
Diasporas: A Perspective from the Dakar Biennial 25. Drawing Cuba into
African Diaspora Art History 26. Thinking Together: The Maghreb and African
Diaspora Art History 27. Deconstructing the Archival Impulse in
Contemporary Maghrebi Diasporic Praxis 28. Absented Presence: Canadian
Dimensions of African Diasporic Art History 29. Afro-Brazilian Art in
Transit: Abdias do Nascimento's Visual-Arts Work from Rio de Janeiro to New
York City 30. Curating African/Black Atlantic Art: Dimensions in Black Art
and Introspectives: Contemporary Art by Americans and Brazilians of African
Descent SECTION IV African Diaspora Art History: Scholars at Work: Art
Historians, Museum & Gallery Curators, Pedagogy, and Archives 31. Claiming
space: the Caribbean's (counter-)Curatorial Interventions 32. X as
Intersection: AfroLatinX Art 33. Celebrations of Diaspora: The work of
FESTAC '77 34. Went Looking for Africa": Carrie Mae Weems, Kehinde Wiley,
and
Artistic Travels in Africa 35. Un-doing Belonging: Mobilising African
Diaspora Art in the Art History Classroom 36. Being Seen: An Art History of
the Blackness of Technology 37. Image Made Flesh: Black Representation,
Material Archives and Contemporary Desire 38. Edson Chagas' Photographic
Realism 39. Glitter and Grit: Michèle Pearson Clarke's Black Queer Unreason
40. Pedagogical Challenges, Pedagogical Approaches - Contemporary Art from
Africa and its Diaspora: the analytical tools Postscript: Diaspora Writ
Large: María Magdalena Campos-Pons, Julie Mehretu, and Wangechi Mutu
History 1. Stuart Hall and the Framing of Diaspora 2. Towards a History of
LGBTQ+ Contemporary African Art 3. The Diasporic Dimensions of the Harlem
Renaissance 4. To Risk the Sovereignty of Our Own Stories 5. Édouard
Glissant and the Framing of Diaspora 6. HERE and HERE: ÀSÌKÒ and Beyond 7.
South Africa: Destination and Point of Origin 8. From Post-Black to the
Afropolitan: The Studio Museum's 'F-Shows' and Discourses on Black Art 9.
African and Afrodescendant Art Production in Latin America: Research
Challenges and Possibilities 10. The Global Africa Project: Diasporic
Connections, Explorations, and Interactions SECTION II Routes and Roots of
African Diaspora Art History in Europe 11. "[T]heir own kind of light":
Black diasporic Consciousness in the Caribbean Artists Movement (1966-1972)
12. A History of Black Diaspora Artists in Italy 13. Indivisible or
Invisible: Contemporary Artists of African Descent and French
Multiculturalism 14. A History of Black Diaspora Artists in Germany 15. A
Short History of Artists of African-descent in Scandinavia 16. Contemporary
African Art and Artists in Belgium 17. A History of Black Diaspora Artists
in Scotland 18. A History of Black Diaspora Artists in Spain 19.
Transforming the Facade: Black American Artists at the US Pavilion of the
Venice Biennale, 1930-2022 20. East African, South Asian, British Artists
SECTION III Hemispheric Dimensions of African Diaspora Art History 21.
Cartographies of Kinship in the Caribbean Festival of Arts 22. Where
Caribbean Art Ends and Latin American Art Begins 23. Art Biennales in
Africa and the Making of African Diaspora Art History: Perspectives from
the Dak'Art Biennale 24. Visualizing Historical and Contemporary African
Diasporas: A Perspective from the Dakar Biennial 25. Drawing Cuba into
African Diaspora Art History 26. Thinking Together: The Maghreb and African
Diaspora Art History 27. Deconstructing the Archival Impulse in
Contemporary Maghrebi Diasporic Praxis 28. Absented Presence: Canadian
Dimensions of African Diasporic Art History 29. Afro-Brazilian Art in
Transit: Abdias do Nascimento's Visual-Arts Work from Rio de Janeiro to New
York City 30. Curating African/Black Atlantic Art: Dimensions in Black Art
and Introspectives: Contemporary Art by Americans and Brazilians of African
Descent SECTION IV African Diaspora Art History: Scholars at Work: Art
Historians, Museum & Gallery Curators, Pedagogy, and Archives 31. Claiming
space: the Caribbean's (counter-)Curatorial Interventions 32. X as
Intersection: AfroLatinX Art 33. Celebrations of Diaspora: The work of
FESTAC '77 34. Went Looking for Africa": Carrie Mae Weems, Kehinde Wiley,
and
Artistic Travels in Africa 35. Un-doing Belonging: Mobilising African
Diaspora Art in the Art History Classroom 36. Being Seen: An Art History of
the Blackness of Technology 37. Image Made Flesh: Black Representation,
Material Archives and Contemporary Desire 38. Edson Chagas' Photographic
Realism 39. Glitter and Grit: Michèle Pearson Clarke's Black Queer Unreason
40. Pedagogical Challenges, Pedagogical Approaches - Contemporary Art from
Africa and its Diaspora: the analytical tools Postscript: Diaspora Writ
Large: María Magdalena Campos-Pons, Julie Mehretu, and Wangechi Mutu
Introduction SECTION I Routes and Roots of Global African Diaspora Art
History 1. Stuart Hall and the Framing of Diaspora 2. Towards a History of
LGBTQ+ Contemporary African Art 3. The Diasporic Dimensions of the Harlem
Renaissance 4. To Risk the Sovereignty of Our Own Stories 5. Édouard
Glissant and the Framing of Diaspora 6. HERE and HERE: ÀSÌKÒ and Beyond 7.
South Africa: Destination and Point of Origin 8. From Post-Black to the
Afropolitan: The Studio Museum's 'F-Shows' and Discourses on Black Art 9.
African and Afrodescendant Art Production in Latin America: Research
Challenges and Possibilities 10. The Global Africa Project: Diasporic
Connections, Explorations, and Interactions SECTION II Routes and Roots of
African Diaspora Art History in Europe 11. "[T]heir own kind of light":
Black diasporic Consciousness in the Caribbean Artists Movement (1966-1972)
12. A History of Black Diaspora Artists in Italy 13. Indivisible or
Invisible: Contemporary Artists of African Descent and French
Multiculturalism 14. A History of Black Diaspora Artists in Germany 15. A
Short History of Artists of African-descent in Scandinavia 16. Contemporary
African Art and Artists in Belgium 17. A History of Black Diaspora Artists
in Scotland 18. A History of Black Diaspora Artists in Spain 19.
Transforming the Facade: Black American Artists at the US Pavilion of the
Venice Biennale, 1930-2022 20. East African, South Asian, British Artists
SECTION III Hemispheric Dimensions of African Diaspora Art History 21.
Cartographies of Kinship in the Caribbean Festival of Arts 22. Where
Caribbean Art Ends and Latin American Art Begins 23. Art Biennales in
Africa and the Making of African Diaspora Art History: Perspectives from
the Dak'Art Biennale 24. Visualizing Historical and Contemporary African
Diasporas: A Perspective from the Dakar Biennial 25. Drawing Cuba into
African Diaspora Art History 26. Thinking Together: The Maghreb and African
Diaspora Art History 27. Deconstructing the Archival Impulse in
Contemporary Maghrebi Diasporic Praxis 28. Absented Presence: Canadian
Dimensions of African Diasporic Art History 29. Afro-Brazilian Art in
Transit: Abdias do Nascimento's Visual-Arts Work from Rio de Janeiro to New
York City 30. Curating African/Black Atlantic Art: Dimensions in Black Art
and Introspectives: Contemporary Art by Americans and Brazilians of African
Descent SECTION IV African Diaspora Art History: Scholars at Work: Art
Historians, Museum & Gallery Curators, Pedagogy, and Archives 31. Claiming
space: the Caribbean's (counter-)Curatorial Interventions 32. X as
Intersection: AfroLatinX Art 33. Celebrations of Diaspora: The work of
FESTAC '77 34. Went Looking for Africa": Carrie Mae Weems, Kehinde Wiley,
and
Artistic Travels in Africa 35. Un-doing Belonging: Mobilising African
Diaspora Art in the Art History Classroom 36. Being Seen: An Art History of
the Blackness of Technology 37. Image Made Flesh: Black Representation,
Material Archives and Contemporary Desire 38. Edson Chagas' Photographic
Realism 39. Glitter and Grit: Michèle Pearson Clarke's Black Queer Unreason
40. Pedagogical Challenges, Pedagogical Approaches - Contemporary Art from
Africa and its Diaspora: the analytical tools Postscript: Diaspora Writ
Large: María Magdalena Campos-Pons, Julie Mehretu, and Wangechi Mutu
History 1. Stuart Hall and the Framing of Diaspora 2. Towards a History of
LGBTQ+ Contemporary African Art 3. The Diasporic Dimensions of the Harlem
Renaissance 4. To Risk the Sovereignty of Our Own Stories 5. Édouard
Glissant and the Framing of Diaspora 6. HERE and HERE: ÀSÌKÒ and Beyond 7.
South Africa: Destination and Point of Origin 8. From Post-Black to the
Afropolitan: The Studio Museum's 'F-Shows' and Discourses on Black Art 9.
African and Afrodescendant Art Production in Latin America: Research
Challenges and Possibilities 10. The Global Africa Project: Diasporic
Connections, Explorations, and Interactions SECTION II Routes and Roots of
African Diaspora Art History in Europe 11. "[T]heir own kind of light":
Black diasporic Consciousness in the Caribbean Artists Movement (1966-1972)
12. A History of Black Diaspora Artists in Italy 13. Indivisible or
Invisible: Contemporary Artists of African Descent and French
Multiculturalism 14. A History of Black Diaspora Artists in Germany 15. A
Short History of Artists of African-descent in Scandinavia 16. Contemporary
African Art and Artists in Belgium 17. A History of Black Diaspora Artists
in Scotland 18. A History of Black Diaspora Artists in Spain 19.
Transforming the Facade: Black American Artists at the US Pavilion of the
Venice Biennale, 1930-2022 20. East African, South Asian, British Artists
SECTION III Hemispheric Dimensions of African Diaspora Art History 21.
Cartographies of Kinship in the Caribbean Festival of Arts 22. Where
Caribbean Art Ends and Latin American Art Begins 23. Art Biennales in
Africa and the Making of African Diaspora Art History: Perspectives from
the Dak'Art Biennale 24. Visualizing Historical and Contemporary African
Diasporas: A Perspective from the Dakar Biennial 25. Drawing Cuba into
African Diaspora Art History 26. Thinking Together: The Maghreb and African
Diaspora Art History 27. Deconstructing the Archival Impulse in
Contemporary Maghrebi Diasporic Praxis 28. Absented Presence: Canadian
Dimensions of African Diasporic Art History 29. Afro-Brazilian Art in
Transit: Abdias do Nascimento's Visual-Arts Work from Rio de Janeiro to New
York City 30. Curating African/Black Atlantic Art: Dimensions in Black Art
and Introspectives: Contemporary Art by Americans and Brazilians of African
Descent SECTION IV African Diaspora Art History: Scholars at Work: Art
Historians, Museum & Gallery Curators, Pedagogy, and Archives 31. Claiming
space: the Caribbean's (counter-)Curatorial Interventions 32. X as
Intersection: AfroLatinX Art 33. Celebrations of Diaspora: The work of
FESTAC '77 34. Went Looking for Africa": Carrie Mae Weems, Kehinde Wiley,
and
Artistic Travels in Africa 35. Un-doing Belonging: Mobilising African
Diaspora Art in the Art History Classroom 36. Being Seen: An Art History of
the Blackness of Technology 37. Image Made Flesh: Black Representation,
Material Archives and Contemporary Desire 38. Edson Chagas' Photographic
Realism 39. Glitter and Grit: Michèle Pearson Clarke's Black Queer Unreason
40. Pedagogical Challenges, Pedagogical Approaches - Contemporary Art from
Africa and its Diaspora: the analytical tools Postscript: Diaspora Writ
Large: María Magdalena Campos-Pons, Julie Mehretu, and Wangechi Mutu