The Salt Companion to Carter Revard
Herausgeber: Arnold, Ellen L.
The Salt Companion to Carter Revard
Herausgeber: Arnold, Ellen L.
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"The Salt Companion to Carter Revard" is a groundbreaking collection of essays on the work of Osage poet and scholar of medieval English literature, Carter Revard. Erudite, yet highly readable and entertaining, these essays offer multiple perspectives on Revard's complex and beautifully crafted poetry that should appeal to scholars, students, and general readers alike.
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"The Salt Companion to Carter Revard" is a groundbreaking collection of essays on the work of Osage poet and scholar of medieval English literature, Carter Revard. Erudite, yet highly readable and entertaining, these essays offer multiple perspectives on Revard's complex and beautifully crafted poetry that should appeal to scholars, students, and general readers alike.
Produktdetails
- Produktdetails
- Verlag: Salt Publishing
- Seitenzahl: 256
- Erscheinungstermin: 15. Februar 2007
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 421g
- ISBN-13: 9781844710904
- ISBN-10: 1844710904
- Artikelnr.: 22738228
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Salt Publishing
- Seitenzahl: 256
- Erscheinungstermin: 15. Februar 2007
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 421g
- ISBN-13: 9781844710904
- ISBN-10: 1844710904
- Artikelnr.: 22738228
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Márgara Averbach teaches U.S. Literature in the Universidad de Buenos Aires and Literary Translation in the I.E.S. Lenguas Vivas J.R. Fernández. She has translated 51 novels from English into Spanish and has published 15 books on literature for children and adults. She has published one academic book on slavery, Memoria oral de la esclavitud, and and another on Native American testimony, Historias orales de nativos estadounidenses contemporaneous, both published by Programa de Historia Oral de la Universidad de Buenos Aires, Argentina. She has 21 journal articles, including American Quarterly, Feminine Speculation, American Indian Quarterly, and Studies in Native American Literatures (U.S.). She also has a chapter on Dances with Wolves in Screening Culture, edited by Heather Norris Nicholson (Lexington Books, Canada).
* Acknowledgments
* Introduction
* Norma C. Wilson, "Star Legacies"
* Suzanne Evertsen Lundquist, "Carter Revard as Autoethnographer or
Wa-thi'-gethon"
* Robin Riley Fast, "Going Home with Carter Revard"
* Susan Scarberry-Garcia, "'We Sing As the Birds Do': Listening for
Bird Song in the Work of Carter Revard"
* Patrice Hollrah, "'The Voices Still Are Singing': Osage/Ponca
Continuance in the Poetry of Carter Revard"
* Robert M. Nelson, "Ponca War Dancers: Creating a Pan-Indian Circle"
* Jerry Harp, "'Reading That Part of the Past': Accessing History in
the Poetry of Carter Revard"
* Robert Bensen, "To Make Their Bodies of Words"
* Janet McAdams, "Carter Revard's Angled Mirrors"
* Ellen L. Arnold, "'Present Myth': Old Stories and New Sciences in the
Poetry of Carter Revard"
* Márgara Averbach, "Translating Carter Revard: An Adventure among
Mixed and Fertile Words"
* Susan Berry Brill de Ramírez and Peter G. Beidler, "Scholarship and
Stories, Oxford and Oklahoma, Academe and American Indians: The
Relational Words and Worlds of a Native American Bard and
Storytelling Medievalist - Carter Revard"
* Susanna Fein, "Trail-Tracking the Ludlow Scribe: Carter Revard as
Translator-Scholar-Sleuth of Medieval English Poetry"
* Author Notes
* Index
* Introduction
* Norma C. Wilson, "Star Legacies"
* Suzanne Evertsen Lundquist, "Carter Revard as Autoethnographer or
Wa-thi'-gethon"
* Robin Riley Fast, "Going Home with Carter Revard"
* Susan Scarberry-Garcia, "'We Sing As the Birds Do': Listening for
Bird Song in the Work of Carter Revard"
* Patrice Hollrah, "'The Voices Still Are Singing': Osage/Ponca
Continuance in the Poetry of Carter Revard"
* Robert M. Nelson, "Ponca War Dancers: Creating a Pan-Indian Circle"
* Jerry Harp, "'Reading That Part of the Past': Accessing History in
the Poetry of Carter Revard"
* Robert Bensen, "To Make Their Bodies of Words"
* Janet McAdams, "Carter Revard's Angled Mirrors"
* Ellen L. Arnold, "'Present Myth': Old Stories and New Sciences in the
Poetry of Carter Revard"
* Márgara Averbach, "Translating Carter Revard: An Adventure among
Mixed and Fertile Words"
* Susan Berry Brill de Ramírez and Peter G. Beidler, "Scholarship and
Stories, Oxford and Oklahoma, Academe and American Indians: The
Relational Words and Worlds of a Native American Bard and
Storytelling Medievalist - Carter Revard"
* Susanna Fein, "Trail-Tracking the Ludlow Scribe: Carter Revard as
Translator-Scholar-Sleuth of Medieval English Poetry"
* Author Notes
* Index
* Acknowledgments
* Introduction
* Norma C. Wilson, "Star Legacies"
* Suzanne Evertsen Lundquist, "Carter Revard as Autoethnographer or
Wa-thi'-gethon"
* Robin Riley Fast, "Going Home with Carter Revard"
* Susan Scarberry-Garcia, "'We Sing As the Birds Do': Listening for
Bird Song in the Work of Carter Revard"
* Patrice Hollrah, "'The Voices Still Are Singing': Osage/Ponca
Continuance in the Poetry of Carter Revard"
* Robert M. Nelson, "Ponca War Dancers: Creating a Pan-Indian Circle"
* Jerry Harp, "'Reading That Part of the Past': Accessing History in
the Poetry of Carter Revard"
* Robert Bensen, "To Make Their Bodies of Words"
* Janet McAdams, "Carter Revard's Angled Mirrors"
* Ellen L. Arnold, "'Present Myth': Old Stories and New Sciences in the
Poetry of Carter Revard"
* Márgara Averbach, "Translating Carter Revard: An Adventure among
Mixed and Fertile Words"
* Susan Berry Brill de Ramírez and Peter G. Beidler, "Scholarship and
Stories, Oxford and Oklahoma, Academe and American Indians: The
Relational Words and Worlds of a Native American Bard and
Storytelling Medievalist - Carter Revard"
* Susanna Fein, "Trail-Tracking the Ludlow Scribe: Carter Revard as
Translator-Scholar-Sleuth of Medieval English Poetry"
* Author Notes
* Index
* Introduction
* Norma C. Wilson, "Star Legacies"
* Suzanne Evertsen Lundquist, "Carter Revard as Autoethnographer or
Wa-thi'-gethon"
* Robin Riley Fast, "Going Home with Carter Revard"
* Susan Scarberry-Garcia, "'We Sing As the Birds Do': Listening for
Bird Song in the Work of Carter Revard"
* Patrice Hollrah, "'The Voices Still Are Singing': Osage/Ponca
Continuance in the Poetry of Carter Revard"
* Robert M. Nelson, "Ponca War Dancers: Creating a Pan-Indian Circle"
* Jerry Harp, "'Reading That Part of the Past': Accessing History in
the Poetry of Carter Revard"
* Robert Bensen, "To Make Their Bodies of Words"
* Janet McAdams, "Carter Revard's Angled Mirrors"
* Ellen L. Arnold, "'Present Myth': Old Stories and New Sciences in the
Poetry of Carter Revard"
* Márgara Averbach, "Translating Carter Revard: An Adventure among
Mixed and Fertile Words"
* Susan Berry Brill de Ramírez and Peter G. Beidler, "Scholarship and
Stories, Oxford and Oklahoma, Academe and American Indians: The
Relational Words and Worlds of a Native American Bard and
Storytelling Medievalist - Carter Revard"
* Susanna Fein, "Trail-Tracking the Ludlow Scribe: Carter Revard as
Translator-Scholar-Sleuth of Medieval English Poetry"
* Author Notes
* Index