Focuses on the science fictional dimensions of Rushdie's later novels, Fury, The Ground Beneath Her Feet, Shalimar the Clown and Luka and the Fire of Life, and Rushdie's first unpublished novel, The Antagonist, to show how the author's oeuvre moves towards a more consistent engagement with science fiction as a generic form and an ideological investment.
Focuses on the science fictional dimensions of Rushdie's later novels, Fury, The Ground Beneath Her Feet, Shalimar the Clown and Luka and the Fire of Life, and Rushdie's first unpublished novel, The Antagonist, to show how the author's oeuvre moves towards a more consistent engagement with science fiction as a generic form and an ideological investment.
Yael Maurer is a lecturer in the department of English and American studies at Tel Aviv University, Israel.
Inhaltsangabe
Table of Contents Acknowledgments Preface: Rereading Rushdie 1. Rushdie's Peripheries: Imagined Histories of Nation 2. Rage Against the Machine: Cyberspace Narratives in Rushdie's Fury 3. "The World Is (Not) What It Is": The Ground Beneath Her Feet 4. The Year of the Reverse: The Antagonist and Midnight's Children 5. Haroun and Shalimar: Kashmir and Koshmar 6. Immortality Now: Luka and the Fire of Life Conclusion: The Genre That Isn't: Rereading Rushdie Chapter Notes Works Cited Index
Table of Contents Acknowledgments Preface: Rereading Rushdie 1. Rushdie's Peripheries: Imagined Histories of Nation 2. Rage Against the Machine: Cyberspace Narratives in Rushdie's Fury 3. "The World Is (Not) What It Is": The Ground Beneath Her Feet 4. The Year of the Reverse: The Antagonist and Midnight's Children 5. Haroun and Shalimar: Kashmir and Koshmar 6. Immortality Now: Luka and the Fire of Life Conclusion: The Genre That Isn't: Rereading Rushdie Chapter Notes Works Cited Index
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