"Drawing on semiotic developments of the past five decades, this book introduces students to the semiotic analysis of live performances and provides them with a clear method for untangling the multimodal complexity of performance from the spectator's point of view. It explores a broad range of performance types from across different cultures, including music, opera, ballet, theatre, circus, mime, improvisation, and immersion, and is accompanied by a companion website featuring recorded extracts from live performances"--
"Drawing on semiotic developments of the past five decades, this book introduces students to the semiotic analysis of live performances and provides them with a clear method for untangling the multimodal complexity of performance from the spectator's point of view. It explores a broad range of performance types from across different cultures, including music, opera, ballet, theatre, circus, mime, improvisation, and immersion, and is accompanied by a companion website featuring recorded extracts from live performances"--
Paul Bouissac is Professor Emeritus at Victoria College, University of Toronto, Canada. He is a world renowned figure in semiotics and a pioneer of circus studies. He runs the Semioticon, an Open Semiotics Resource Center, which has a global readership.
Inhaltsangabe
List of Figures Preface Introduction: The Real-Life Experience of Attending a Live Performance 1. Performance as Communication Process 2. Performance as Creative Process 3. The Construction of Performing Identities: From Person to Persona 4. Performance as Social Process 5. Performance as Affective Experience 6. Performance as Cognitive Experience: Narrative Structures and Relevance 7. Performance as Text: Description and Interpretation of Ephemeral Events 8. Performance as Metaphor: Performing Roles in Everyday Life 9. Beyond Performance: Social Impact, Reflexivity, and Transformative Experience 10. The Rules of Performance: The Felicity Conditions Index
List of Figures Preface Introduction: The Real-Life Experience of Attending a Live Performance 1. Performance as Communication Process 2. Performance as Creative Process 3. The Construction of Performing Identities: From Person to Persona 4. Performance as Social Process 5. Performance as Affective Experience 6. Performance as Cognitive Experience: Narrative Structures and Relevance 7. Performance as Text: Description and Interpretation of Ephemeral Events 8. Performance as Metaphor: Performing Roles in Everyday Life 9. Beyond Performance: Social Impact, Reflexivity, and Transformative Experience 10. The Rules of Performance: The Felicity Conditions Index
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