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The most striking image of extreme eros and extreme pain is that of Christ on the Cross. This book of 77 poems by the Bulgarian author Tsvetanka Elenkova navigates between these two extremes. The poems are like a pulsation, or a gesture, and don't take a breath. In this sense, there is no space or silence in them and yet a gesture, for example of pointing or stopping, when it is tired and the fingers relax, becomes one of blessing and so it is that the poet Iana Boukova writes of this book - "Gesture introduces silence, replacing words and their definitions. There are whole passages full of…mehr

Produktbeschreibung
The most striking image of extreme eros and extreme pain is that of Christ on the Cross. This book of 77 poems by the Bulgarian author Tsvetanka Elenkova navigates between these two extremes. The poems are like a pulsation, or a gesture, and don't take a breath. In this sense, there is no space or silence in them and yet a gesture, for example of pointing or stopping, when it is tired and the fingers relax, becomes one of blessing and so it is that the poet Iana Boukova writes of this book - "Gesture introduces silence, replacing words and their definitions. There are whole passages full of the underwater silence of one gesture." It is rare to have a book of Bulgarian literature published in English and the reader will find here many elements of Bulgarian culture and the Orthodox tradition.
Autorenporträt
Tsvetanka Elenkova has published six poetry books and two books of essays (one on the Balkans and another on Bulgarian frescos). Crookedness is her fourth poetry collection and has also appeared in a French edition, as Distortions. Her previous collection, The Seventh Gesture, has appeared in English with Shearsman Books, in French and Serbian. Individual poems have been translated into fifteen languages and have appeared in the magazines Modern Poetry in Translation, Poem, Poetry Review and The Massachusetts Review among others. She has been a guest at various festivals including Lodève, Struga, Tinos and Vilenica and recently received the prestigious literary award Pencho's Oak for the body of her work. She is the editor of At the End of the World: Contemporary Poetry from Bulgaria (Shearsman Books, 2012) and has translated international authors such as Raymond Carver, Rosalía de Castro, Bogomil Gjuzel, Manuel Rivas, Fiona Sampson and the bhakti poets in Speaking of Siva into her native Bulgarian. She is a doctoral student in theology at Sofia University, where she is writing a thesis on mysticism in the poetry of Gregory of Nazianzus.