Grant H. Kester examines the evolving discourse of aesthetic autonomy from its origins in the Enlightenment through avant-garde projects and movements in the nineteenth and twentieth centuries.
Grant H. Kester examines the evolving discourse of aesthetic autonomy from its origins in the Enlightenment through avant-garde projects and movements in the nineteenth and twentieth centuries.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Grant H. Kester is Professor of Art History at the University of California, San Diego, author of Beyond the Sovereign Self: Aesthetic Autonomy from the Avant-Garde to Socially Engaged Art and The One and the Many: Contemporary Collaborative Art in a Global Context, and coeditor of Collective Situations: Readings in Contemporary Latin American Art, 1995–2010, all also published by Duke University Press.
Inhaltsangabe
Introduction 1 I. From Beauty to Dissensus 1. Freedom and Sovereignty 19 2. Communism and the Aesthetic State 48 II. Negation and Performativity 3. From Vanguard to Avant-Garde 85 4. Activism and Autonomy in the 1960s 108 III. Autonomy since the 1980s 5. The Rise of the Neo-Avant-Garde 145 6. The Hirschhorn Monument: Autonomy as Brand and Alibi 180 Conclusion. Aesthetics beyond Semblance 212 Notes 219 Works Cited 243 Index 259
Introduction 1 I. From Beauty to Dissensus 1. Freedom and Sovereignty 19 2. Communism and the Aesthetic State 48 II. Negation and Performativity 3. From Vanguard to Avant-Garde 85 4. Activism and Autonomy in the 1960s 108 III. Autonomy since the 1980s 5. The Rise of the Neo-Avant-Garde 145 6. The Hirschhorn Monument: Autonomy as Brand and Alibi 180 Conclusion. Aesthetics beyond Semblance 212 Notes 219 Works Cited 243 Index 259
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