This book investigates new ways in which writers and artists of early modern Spain conceived of space through the lens of what recent studies have called the spatial turn and explores space as a cultural construct.
This book investigates new ways in which writers and artists of early modern Spain conceived of space through the lens of what recent studies have called the spatial turn and explores space as a cultural construct.
Mary E. Barnard is a professor of Spanish and comparative literature at the Pennsylvania State University. Frederick A. de Armas is Robert O. Anderson Distinguished Service Professor at the University of Chicago..
Inhaltsangabe
List of Illustrations Acknowledgments Introduction: The Spatial Scene Part 1: Spaces of Voicing, Intellectual Inquiry, and the Sublime 1. Acoustic Spaces: Vocal Performance and Trauma in Sonnets Fernando de Herrera and Mary E. Barnard 2. “Ward Off This Gloomy Darkness”: Spaces of Conflict and Sublimity in Calderón’s La vida es sueño Frederick A. de Armas 3. The Space of Memory: Three Sixteenth-Century Iberian Examples Marina S. Brownlee 4. Geographic Games: Cosmic Mapping and Make-Believe in Jewish Thought, Medieval Alexander Romances, and Cervantes’s Modern Fiction Keith Budner Part 2: Spaces for the Performance of Alternate Realities 5. Early Modern Geotagging in Cervantes’s El coloquio de los perros Carolyn A. Nadeau 6. Eluding Surveillance and Repression in Early Modern Madrid: Manufacturing Safety through Street Performances in Cervantes’s La gitanilla Matías A. Spector 7. Performance Space in Cervantes’s Pedro de Urdemalas Edward H. Friedman 8. The Person of a King: Sovereignty, Performance, and Court Spaces in Three Royal Imposter Plays Christopher B. Weimer Part 3: Sacred Spaces 9. Poeticizing Spaces in Seventeen-Century Religious Poetry María Cristina Quintero 10. Mirrors, Self Portraits, and Visionary Exemplarity: An Analysis of the Guadalupe Chapel, Royal Discalced Convent, Madrid. Rosilie Hernández 11. The Spatial Display of Poetry in Recibimiento al obispo Pimentel (1629) Victor Sierra Matute 12. Spaces of Death: The Virgin of the Arch and the Cult of the Dead in María de Zayas’s La fuerza del Amor Ryan D. Giles Contributors
List of Illustrations Acknowledgments Introduction: The Spatial Scene Part 1: Spaces of Voicing, Intellectual Inquiry, and the Sublime 1. Acoustic Spaces: Vocal Performance and Trauma in Sonnets Fernando de Herrera and Mary E. Barnard 2. “Ward Off This Gloomy Darkness”: Spaces of Conflict and Sublimity in Calderón’s La vida es sueño Frederick A. de Armas 3. The Space of Memory: Three Sixteenth-Century Iberian Examples Marina S. Brownlee 4. Geographic Games: Cosmic Mapping and Make-Believe in Jewish Thought, Medieval Alexander Romances, and Cervantes’s Modern Fiction Keith Budner Part 2: Spaces for the Performance of Alternate Realities 5. Early Modern Geotagging in Cervantes’s El coloquio de los perros Carolyn A. Nadeau 6. Eluding Surveillance and Repression in Early Modern Madrid: Manufacturing Safety through Street Performances in Cervantes’s La gitanilla Matías A. Spector 7. Performance Space in Cervantes’s Pedro de Urdemalas Edward H. Friedman 8. The Person of a King: Sovereignty, Performance, and Court Spaces in Three Royal Imposter Plays Christopher B. Weimer Part 3: Sacred Spaces 9. Poeticizing Spaces in Seventeen-Century Religious Poetry María Cristina Quintero 10. Mirrors, Self Portraits, and Visionary Exemplarity: An Analysis of the Guadalupe Chapel, Royal Discalced Convent, Madrid. Rosilie Hernández 11. The Spatial Display of Poetry in Recibimiento al obispo Pimentel (1629) Victor Sierra Matute 12. Spaces of Death: The Virgin of the Arch and the Cult of the Dead in María de Zayas’s La fuerza del Amor Ryan D. Giles Contributors
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