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The Split Subject of Narration in Elizabeth Gaskell's First Person Fiction - Koustinoudi, Anna
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The Split Subject of Narration in Elizabeth Gaskell's First-Person Fiction analyzes a number of Elizabeth Gaskell's first-person works through a post-modern perspective. It attempts to explore the vicissitudes of Victorian Subjectivity by focusing on the ways in which E. Gaskell's realistic and Gothic fiction interrogate post-Romantic assumptions about the centrality and coherence of the narrating subject.

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Produktbeschreibung
The Split Subject of Narration in Elizabeth Gaskell's First-Person Fiction analyzes a number of Elizabeth Gaskell's first-person works through a post-modern perspective. It attempts to explore the vicissitudes of Victorian Subjectivity by focusing on the ways in which E. Gaskell's realistic and Gothic fiction interrogate post-Romantic assumptions about the centrality and coherence of the narrating subject.
Autorenporträt
Anna Koustinoudi is an Adjunct Faculty Member at Aristotle University (Greece). Her research interests and publications focus on nineteenth-century prose, especially on Victorian women's novelistic production, as well as on gender theory in combination with psychoanalytic and narrative theory.