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The Subject in Creativity is a book of interdisciplinary philosophical essays that proposes new methodological, axiological and hermeneutic paths for the anthropology of art, discussing crucial parameters of ethnomethodology that propitiate the conversion of both the interpretation of contemporary art (the exercise of the semiotics of art as art criticism, and the reading, exegesis and interpretation of other phenomena of visual and material culture beyond modern art, the visual cultural anthropology, while the one in the other, explorations of cultural anthropology within the other, explorations of cultural anthropology within the modern art), The book proposes the conjunction of the visual cultural anthropology and the visual cultural anthropology in the study of other phenomena of visual and material culture beyond modern art, as well as the one in the other, explorations of cultural anthropology within art criticism and, conversely, of aesthetics and philosophy of art, in thestudy of broader anthropological phenomena of visual and material culture. The book proposes the exegetic and hermeneutic conjunction between ethnomethodology, archaeological readings and textual readings, and elaborates a whole postmodernist and postmodernist philosophical theorization on the subject and subjectivity within paradigms of creativity.