Calhoun offers a new way of writing about suicide, slavery, and coloniality in relation to literary history. Drawing on scientific texts, police files, and legal proceedings alongside contemporary African and Afro-Caribbean novels, film, and Senegalese oral history, Calhoun outlines how such aesthetic works rewrite histories of resistance and loss.
Calhoun offers a new way of writing about suicide, slavery, and coloniality in relation to literary history. Drawing on scientific texts, police files, and legal proceedings alongside contemporary African and Afro-Caribbean novels, film, and Senegalese oral history, Calhoun outlines how such aesthetic works rewrite histories of resistance and loss.
Doyle D. Calhoun is University Assistant Professor of Francophone Postcolonial Studies at the University of Cambridge.
Inhaltsangabe
Preface ix Introduction. In Articulo Mortis 1 1. Choral Histories: Suicide and Slavery in the French Atlantic 39 2. Oral Archives: The “Talaatay Nder” Narrative in Wolof and French 77 3. Screen Memories: Ousmane Sembène’s Black Girl between Image, Icon, and Archive 113 4. Multiple Exposures: Geologies of Suicidal Resistance 161 5. Strange Bedfellows: On Suicide Bombing and Literature 201 Conclusion. The Suicide Archive: A Social Document 235 Acknowledgments 241 Notes 243 Bibliography 283 Index 315
Preface ix Introduction. In Articulo Mortis 1 1. Choral Histories: Suicide and Slavery in the French Atlantic 39 2. Oral Archives: The “Talaatay Nder” Narrative in Wolof and French 77 3. Screen Memories: Ousmane Sembène’s Black Girl between Image, Icon, and Archive 113 4. Multiple Exposures: Geologies of Suicidal Resistance 161 5. Strange Bedfellows: On Suicide Bombing and Literature 201 Conclusion. The Suicide Archive: A Social Document 235 Acknowledgments 241 Notes 243 Bibliography 283 Index 315
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