Traces two intersecting trajectories in American art. It shows how rights-based 1960s politics and the identity politics of the 1970s influenced the development of Conceptual art (with a capital 'C') into the diverse set of practices generally characterised as conceptualist (with a lower-case 'c'). -- .
Traces two intersecting trajectories in American art. It shows how rights-based 1960s politics and the identity politics of the 1970s influenced the development of Conceptual art (with a capital 'C') into the diverse set of practices generally characterised as conceptualist (with a lower-case 'c'). -- .
Nizan Shaked is Associate Professor of Contemporary Art History, Museum and Curatorial Studies at California State University, Long Beach
Inhaltsangabe
Introduction 1. Conceptual Art and identity politics: from the 1960s to the 1990s 2. Adrian Piper: the body after conceptualism 3. The synthetic proposition: conceptualism as political art 4. The political referent in debate: identity, difference, representation 5. Institutional gender: from Hans Haackes Systems Theory to Andrea Frasers feminist economies A state of passionate detachment: Charles Gaines by way of conclusion Index
Introduction 1. Conceptual Art and identity politics: from the 1960s to the 1990s 2. Adrian Piper: the body after conceptualism 3. The synthetic proposition: conceptualism as political art 4. The political referent in debate: identity, difference, representation 5. Institutional gender: from Hans Haackes Systems Theory to Andrea Frasers feminist economies A state of passionate detachment: Charles Gaines by way of conclusion Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826