The Tragedy of Dido Queene of Carthage - Marlowe, Christopher
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Experience the powerful drama of Christopher Marlowe and Thomas Nash's "The Tragedy of Dido Queene of Carthage." This classical drama explores the tragic fate of Dido, the Queen of Carthage, in a story of power, love, and loss. Set against the backdrop of ancient Carthage, the play delves into the complexities of Dido's reign and the events that lead to her downfall. A cornerstone of European and classical literature, "The Tragedy of Dido Queene of Carthage" offers a compelling glimpse into a pivotal historical narrative. Marlowe and Nash's work remains a significant contribution to dramatic…mehr

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Produktbeschreibung
Experience the powerful drama of Christopher Marlowe and Thomas Nash's "The Tragedy of Dido Queene of Carthage." This classical drama explores the tragic fate of Dido, the Queen of Carthage, in a story of power, love, and loss. Set against the backdrop of ancient Carthage, the play delves into the complexities of Dido's reign and the events that lead to her downfall. A cornerstone of European and classical literature, "The Tragedy of Dido Queene of Carthage" offers a compelling glimpse into a pivotal historical narrative. Marlowe and Nash's work remains a significant contribution to dramatic literature. This carefully prepared print edition allows readers to immerse themselves in the timeless themes of this enduring tragedy. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Autorenporträt
Christopher Marlowe, also known as Kit Marlowe (/'m¿¿rlo¿/; baptised 26 February 1564 - 30 May 1593), was an English playwright, poet and translator of the Elizabethan era.[1] Marlowe was the foremost Elizabethan tragedian of his day.[2] He greatly influenced William Shakespeare, who was born in the same year as Marlowe and who rose to become the pre-eminent Elizabethan playwright after Marlowe's mysterious early death. Marlowe's plays are known for the use of blank verse and their overreaching protagonists. Some scholars believe that a warrant was issued for Marlowe's arrest on 18 May 1593.[3] No reason was given for it, though it was thought to be connected to allegations of blasphemy-a manuscript believed to have been written by Marlowe was said to contain "vile heretical conceipts". On 20 May, he was brought to the court to attend on the Privy Council for questioning. There is no record of their having met that day and his being commanded to attend on them each day thereafter, until "licensed to the contrary". Ten days later, he was stabbed to death by Ingram Frizer. Whether or not the stabbing was connected to his arrest remains unknown Marlowe was born in Canterbury to shoemaker John Marlowe and his wife Catherine. His date of birth is not known but he was baptised on 26 February 1564 and is likely to have been born a few days before, making him two months older than William Shakespeare, who was baptised on 26 April 1564 in Stratford-upon-Avon. Marlowe attended The King's School in Canterbury (where a house is named after him) and Corpus Christi College, Cambridge, where he studied on a scholarship and received his Bachelor of Arts degree in 1584.[5] In 1587, the university hesitated to award him his Master of Arts degree because of a rumour that he intended to go to the English college at Rheims, presumably to prepare for ordination as a Roman Catholic priest. His degree was awarded on schedule when the Privy Council intervened on his behalf, commending him for his "faithful dealing" and "good service" to the Queen.[6] The nature of Marlowe's service was not specified by the Council, but its letter to the Cambridge authorities has provoked much speculation, notably the theory that Marlowe was operating as a secret agent working for Sir Francis Walsingham.[7] No direct evidence supports this theory, although the Council's letter itself is an evidence that Marlowe had served the government in some secret capacity